Painting no 9
12 Aug 1890 - 1964
I have long held the belief that the arts of man are his expression in terms of a particular medium of his concept of the universe…
The concept of relativity, the vision of it I get as a painter fascinates me. A Universe without beginning, without end. A continuous creating, destroying, and expanding movement, its one constant the speed of light. (The Space Age). …
I can realize that the energy, the atoms that reach us from the sun is the source, the rhythm of existence, and the very narrow band, the spectrum, is all we can ever hope to have to try and reach a small amount of the rhythm and relativity of the universe with the substance of paint.
Ralph Balson, 1960
synthetic polymer paint on hardboard
137.0 x 137.0 cm board; 140.4 x 140.4 x 5.5 cm frame
Signature & date
Signed and dated l.r. corner, orange synthetic polymer paint "R Balson/ 59".
Not on display
© R Balson Estate
Shown in 8 exhibitions
Ralph Balson (1960), Blaxland Gallery, Sydney, 13 Jan 1960–27 Jan 1960
Purchases and Acquisitions for 1960, Art Gallery of New South Wales, Sydney, 22 Mar 1961–23 Apr 1961
Balson, Crowley, Fizelle, Hinder:
Project 41: The mosaic -The grid (1983), Art Gallery of New South Wales, Sydney, 25 Mar 1983–24 Apr 1983
Ralph Balson: a retrospective:
- Heide Park and Art Gallery, Bulleen 15 Aug 1989–24 Sep 1989
- Newcastle Region Art Gallery, Newcastle 06 Oct 1989–19 Nov 1989
- Wollongong Art Gallery, Wollongong 01 Dec 1989–28 Jan 1990
- Art Gallery of New South Wales, Sydney 14 Feb 1990–01 Apr 1990
- University of Queensland Art Museum, Brisbane 12 Apr 1990–24 May 1990
New Directions 1952-1962, Lewers Bequest and Penrith Regional Art Gallery, Emu Plains, 08 Feb 1991–24 Mar 1991
Parallel Visions: Twenty-two artists from the Australian collection, Art Gallery of New South Wales, Sydney, 22 Feb 2002–May 2003
Australian modern masterpieces from the Art Gallery of New South Wales:
Referenced in 11 publications
David Aspden, The Art Gallery of New South Wales today, 'Ralph Balson: Painting no. 9. Artist's choice no. 20', pg. 94-95, Sydney, 1983, 94, 95 (colour illus.).
Deborah Edwards, Australian art: in the Art Gallery of New South Wales, 'Moderns', pg. 103-104, Sydney, 2000, 128 (colour illus.), 300.
Christine France, New Directions 1952-1962, 'New directions 1952-1962', pg. 7-19, Sydney, 1991, 43. cat.no. 52; this work is NOT reproduced on page 27 - the work reproduced is cat.no. 28 'Abstract', Acc.# 125.1980
Bruce James, The Sydney Morning Herald, 'Milking works for a moment in the sun', pg. 13, Sydney, 03 Apr 2002, 13. Review of 'Parallel Visions' exhibition
Paul McGillick, Aspect: Art and Literature, 'The importance of Ralph Balson', pg. 4-17, Mona Vale, Winter 1981, 11 (illus.), 16.
Jane Somerville, Look, 'Ralph Balson: abstract but more truly real with life', pg. 20-22, Sydney, Nov 2006, 20 (colour illus.), 21.
Natalie Wilson, Parallel visions: works from the Australian collection, 'Grace Crowley / Ralph Balson / Frank Hinder / Margel Hinder', pg. 88-103, Sydney, 2002, 96, 97 (colour illus.), 142, 147.
Art Gallery of New South Wales, Art Gallery of New South Wales picturebook, Sydney, 1972, 107 (colour illus.).
Bruce Adams, Ralph Balson A Retrospective, Bulleen, Jul 1989, 33, 82 (colour illus.), 88. cat.no. 50
Project 41 - the mosaic, the grid, Sydney, 1983. cat.no. 9
Gary Catalano, The years of hope: Australian art and criticism 1959-1968, 'Internationalism', pg. 22-36, Melbourne, 1981, 33 (colour illus.).