- (circa 1933)
- Media category
- Materials used
- woodcut, printed in black ink, hand coloured with gouache on off-white Japanese paper
- 1st proof from an edition of 12, hand coloured
- 44.9 x 45.8 cm blockmark; 47.0 x 51.5 cm sheet
- Signature & date
Signed in block to print l.r., incised "MP.".
Signed l.r. beneath blockmark, pencil "(illeg.)". Not dated.
- Purchased 1964
- Not on display
- Accession number
- © Margaret Rose Preston Estate/Copyright Agency
- Artist information
Works in the collection
Shown in 3 exhibitions
Australian icons: twenty artists from the collection, Art Gallery of New South Wales, Sydney, 04 Aug 2000–03 Dec 2000
Margaret Preston in Mosman, Mosman Art Gallery, Mosman, 07 Sep 2002–13 Oct 2002
Berowra visions: Margaret Preston and beyond, Macquarie University Art Gallery, Sydney, 05 Sep 2005–31 Oct 2005
Referenced in 6 publications
Elizabeth Butel, Margaret Preston: the art of constant rearrangement, 1875-1920', pg. 5-25, Ringwood, 1985, 4 (colour illus.), 89. cat.no. P.34
Roger Arthur Butler, The prints of Margaret Preston: a catalogue raisonné, Canberra, 2005, 180 (colour illus.), 181. cat.no. 175
Roger Arthur Butler, The prints of Margaret Preston: a catalogue raisonné, Canberra, 1987, 170 (colour illus.), 171. cat.no. 175
Louise Chamberlin, Art Smart, 'Still-life lino cut', pg. 145-148, Sydney, 2000, 145 (colour illus.).
Rhonda Davis (Curator), Berowra visions: Margaret Preston & beyond, North Ryde, 2005, 61 (colour illus.), 72.
Nicholas Thomas, Possessions: indigenous art / colonial culture, 'Artworks: indigenous signs in colonial art', pg. 126-163, London, 1999, 129, 130 (illus.), 295. illus.no. 75
Other works by Margaret Preston
See all 121 works