We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands.





Naata Nungurrayi


circa 1932 – 2021

Language group: Pintupi, Western Desert region

  • Details

    Place where the work was made
    Central and Western Desert Northern Territory Australia
    Media category
    Materials used
    synthetic polymer paint on linen canvas
    122.0 x 151.0 cm stretcher
    Signature & date

    Not signed. Not dated.

    Mollie Gowing Acquisition fund for Contemporary Aboriginal art 2000
    Not on display
    Accession number
    © Naata Nungurrayi. Licensed by Aboriginal Artists Agency Ltd

    Reproduction requests

    Artist information
    Naata Nungurrayi

    Works in the collection


  • About

    Naata Nungurrayi began painting for Papunya Tula Artists early 1996. She is presently one of the most senior artists at Kintore. 'Untitled', 1999, is an epic work for Naata, boldly experimental in colour and composition. It is an ambitious work which is effectively a great leap forward in her career.
    In 1997 the Art Gallery of New South Wales purchased a collection of sixteen paintings by a representative group of women artists including examples of paintings by all the most important women artists from the Kintore/Kiwirrkura communities.
    In 'Aboriginal Artists of the Western Desert', 1994, Vivien Johnson states that at the time the book was published very few women from Kintore and Kiwirrkura painted regularly. For years many of these women helped their husbands (who are some of the most significant of the Western desert painters) and have received no recognition or acknowledgement for their work. It is only recently that they have started painting in their own right.
    Paintings by the Kintore and Kiwirrkura women refer to a large area of their ancestral country around the settlements of Kintore, Kiwirrkura and Tjukula - settlements and camps in the vicinity of the Northern Territory and Western Australia border, and the Gibson Desert.
    Rockholes and soakages form the most recognisable symbols in the women's paintings while Stories associated with the Tingari cycle of ceremonies are also painted by some artists. This is significant because the men's business associated with the Tingari Ceremonies is often represented in Western Desert paintings while works by women dealing with this subject matter are rare.

    Australian Art Department, AGNSW, 2000

  • Places

    Where the work was made

    Central and Western Desert

  • Exhibition history

    Shown in 2 exhibitions

  • Bibliography

    Referenced in 3 publications

Other works by Naata Nungurrayi

See all 7 works