Australia, England, France
29 Apr 1875 - 28 May 1963
'Australian artists must feel inherently the difference between their land and that of others ... the tremendous difference in our flowers ... so our treatment of our flora must be different. If it isn't then it is merely copy and repetition.'
Margaret Preston, early 1940s
During the 1930s, Margaret Preston spent time living in bushland at Berowra, in the Hawkesbury River region, where she refined her perceptions of the land and investigated the natural world. 'Banksia cobs' emanates from this period and represents what Preston believed to be a more authentic engagement with the essential forms of the environment. Set within a shallow representational space, the painting depicts the centralised weight of banksia cobs and spiky leathery leaves with a restrained palette aligned to the colder, more sombre ranges of certain Australian plants. With its blackened forms, the painting suggests a recent fire in the region, and demonstrates the endurance and regeneration of Australia’s indigenous plant life.
oil on canvas
45.8 x 53.2 cm stretcher; 66.0 x 57.5 cm frame
Signature & date
Signed and dated l.l. corner, pencil "M.P. 33".
Gift of Mr Howard Sherrard 1982
Not on display
© Margaret Rose Preston Estate
Shown in 5 exhibitions
Society of Artists Annual Exhibition (1933), Education Department Gallery [Loftus Street], Sydney, 08 Sep 1933–06 Oct 1933
Margaret Preston and William Dobell loan exhibition (1942), Art Gallery of New South Wales, Sydney, 19 Mar 1942–16 Apr 1942
Australian icons: twenty artists from the collection, Art Gallery of New South Wales, Sydney, 04 Aug 2000–03 Dec 2000
Margaret Preston retrospective:
Still life, Art Gallery of New South Wales, Sydney, 27 Jul 2013–23 Apr 2014
Referenced in 8 publications
Ian North, The art of Margaret Preston, South Australia, 1980, 8.
Deborah Edwards, Margaret Preston, 'Berowra 1930s', pg.151-172, Sydney, 2005, 151, 150 (colour illus.), 154, 253, 260, 261, 260.
Deborah Edwards and Rose Peel, Margaret Preston: Catalogue raisonné of paintings, monotypes and ceramics, Sydney, 2005, (colour illus.). Artworks: paintings 1933.
Elizabeth Butel, Margaret Preston: the art of constant rearrangement, Ringwood, 1985, 39-40, 45, 86. cat.no. O.11
Humphrey McQueen, The black swan of trespass: the emergence of Modernist painting in Australia to 1944, Sydney, 1979, 148, 153.
National Art Gallery of New South Wales, Margaret Preston and William Dobell loan exhibition, Sydney, 1942. cat.no. 35
Roger Arthur Butler, The prints of Margaret Preston: a catalogue raisonné, Canberra, 2005, 177 (colour illus.).
Society of Artists Annual Exhibition, Sydney, 1933. cat.no. 145