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Title

Non-objective painting

1956

Artist

Ralph Balson

Australia

12 Aug 1890 – 1964

Artist profile

No image
  • Details

    Date
    1956
    Media category
    Painting
    Materials used
    oil on board
    Dimensions
    69.2 x 91.4 cm board; 83.7 x 105.7 x 3.5 cm frame
    Signature & date

    Signed and dated l.r. corner, white oil "R Balson 56."

    Credit
    Gift of Phillip Constable 2019. Donated through the Australian Government's Cultural Gifts Program
    Location
    Not on display
    Accession number
    129.2019
    Copyright
    © Ralph Balson Estate
    Artist information
    Ralph Balson

    Artist profile

    Works in the collection

    18

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  • About

    Ralph Balson is a pioneer of abstraction in Australia. He was working as a house painter when he began associating and exhibiting with artists of the progressive Crowley-Fizelle School in George Street, Sydney who in the late 1930s were experimenting with modern visual languages of geometry, movement and colour. At this time, Balson increasingly shed vestiges of the figure in his work and in 1941 held a solo exhibition of 21 non-objective paintings that became known as a landmark moment of Australian abstraction. Balson’s paintings in this exhibition were intensely coloured works of floating geometric forms, compositions of vibrant, rhythmic constructions that poetically embodied a sense of the modernity of Sydney’s inter-war years.

    In the mid-1950s, Balson shifted from this earlier geometric style of proto-cubist painting to compositions created from small patches and dabs of pigment that build a larger and crowded picture of vital, pulsating colour. His artistic colleague Grace Crowley noted the likeness of these works with Georges Seurat’s broken coloured surfaces. Non-objective painting 1956 exemplifies the revised, painterly style embraced by Balson. The seemingly random placements of colour are in fact carefully constructed movements resulting in a composition that shifts from depth to lightness with shimmering force. His fluctuating particles of paint form a vision of a greater complex whole.

    Balson developed his work with the belief that abstraction connected to the greater truths, rhythms and energies of the universe. He wrote in 1960, “I realise that the energy of the atoms that reach us from the Sun is the source of the Rhythms of existence…. all we can ever hope [is] ..to try and reach a small amount of the Rhythm and Relatively of the Universe with the Substance of Paint.”

    The ceaseless movements of colour fragments in Non-objective painting builds to such larger statements of enduring energies, and for Balson revealed the greater realities that underlie surface appearances: “Abstract yes. Abstract from the surface, but more truly real with life.”

  • Exhibition history

    Shown in 2 exhibitions

  • Bibliography

    Referenced in 5 publications

Other works by Ralph Balson

See all 18 works