We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands.


Sherbrooke Forest



Fred Williams

Australia, England

23 Jan 1927 – 22 Apr 1982

Artist profile

  • Details

    Other Title
    Sherbrooke Forest I
    Media category
    Materials used
    oil, tempera on hardboard
    142.2 x 122.0 cm board; 156.0 x 135.5 x 5.0 cm frame
    Signature & date

    Signed l.r. corner, black oil "Fred Williams.".
    Signed u.r. verso on hardboard on label, black ball-point pen ".../ FRED WILLIAMS".

    Purchased 1964
    Not on display
    Accession number
    © Estate of Fred Williams

    Reproduction requests

    Wynne Prize
    - 1961
    Artist information
    Fred Williams

    Artist profile

    Works in the collection


  • About

    When I arrived in Fremantle, I was struck by how odd the Australian landscape was ... It always worried me that there was no focal point in it, so I simply thought, well I'll paint it and I’ll leave the focal point out.

    Fred Williams, 1976

    Following his return to Australia in 1957, and strongly influenced by the post-impressionists and Cézanne in particular, Fred Williams began to create images exploring the symmetry and spatial ambiguities of stands of eucalypt saplings.
    This resulted in an increasingly abstracted series of watercolours, paintings and prints of trees in Sherbrooke Forest in the Dandenong Ranges east of Melbourne, made during the next four years. This painting is a major early work
    which signals how far Williams would go in his abstraction of the landscape.

    This work was a finalist in the 1961 Wynne Prize and was acquired by the Gallery in 1964.

  • Exhibition history

    Shown in 3 exhibitions

  • Bibliography

    Referenced in 13 publications

    • Art Gallery of New South Wales, 1964 Acquisitions, Sydney, 1964, 26-27. cat.no. 29

    • Department of Education and Science (Editor), Hemisphere, Sydney, May 1982-Jun 1982, 374 (illus.).

    • Sasha Grishin, Australian painters of the twentieth century, 'Fred Williams', pg. 184-195, Sydney, 2000, 186 (colour illus.), 187, 188.

    • Deborah Hart, Tom Roberts, 'In the footsteps of Tom Roberts: Fred Williams and Arthur Boyd', pg. 87-91, Canberra, 2015, 88 (colour illus.), 351.

    • Hendrik Kolenberg, Look, 'Celebrating Fred Williams', pg. 24-25, Sydney, Nov 2004, 24.

    • Barry Pearce and Patrick McCaughey, Twentieth century Australian masterworks from the Art Gallery of New South Wales and the Fred Williams Pilbara Series, Tokyo, 1985, 46 (colour illus.). cat.no. 27

    • Barry Pearce, Art Gallery of New South Wales handbook, 'Australian', pg. 13-35, Sydney, 1988, 34.

    • Ursula Prunster, Classic Cézanne, 'Seeing Cézanne: Australian affinities', pg. 61-71, Sydney, 1998, 70, 71 (colour illus.). fig.no. 32

    • Ursula Prunster, Australian painters; Seeing Cézanne, 'An era of staunch individuals: the 1940s to 1960s', pg. 9-12, Sydney, 1998, 10, 28 (colour illus.), 31. cat.no. 55. This work is referred to as 'Sherbrooke Forest 1'.

    • Editor Unknown (Editor), Sun, Sydney, 13 May 1964, page unknown. Gallery purchase

    • Editor Unknown (Editor), Herald, Melbourne, 24 Jan 1962, page unknown. Melbourne Herald

    • Editor Unknown (Editor), Sun, Sydney, 20 Jan 1962, page unknown. Wynne Prize review

    • Editor Unknown (Editor), Sun, Sydney, 19 Jan 1962, page unknown. Wynne Prize review

Other works by Fred Williams

See all 222 works