Miniature items of this kind, sometimes known as ‘toys’, may represent a response by Chelsea to the success of similar pieces produced at the rival factory set up by Charles Gouyn c1748.
Shown in 1 exhibition
The Lady and the Unicorn, Art Gallery of New South Wales, Sydney, 10 Feb 2018–24 Jun 2018
Referenced in 1 publication
Richard Beresford, Eighteenth - Century European Porcelain in the Kenneth Reed collection, Sydney, 2012, 55 (colour illus.). cat.no. 62