- Other Title
- Place where the work was made
- (circa 1898)
- Media category
- Materials used
- colour monotype, printed on thick white wove paper
- 24.0 x 33.6 cm image; 24.4 x 34.8 cm platemark; 32.5 x 50.0 cm sheet
- Signature & date
Signed in plate with monogram to print c.l., "RCWB".
Signed below platemark l.l., pencil "Rupert C W Bunny". Not dated.
- Purchased 1969
- Not on display
- Accession number
- Artist information
Works in the collection
Where the work was made
Shown in 3 exhibitions
Parallel Visions: Twenty-two artists from the Australian collection, Art Gallery of New South Wales, Sydney, 22 Feb 2002–May 2003
Rupert Bunny: artist in Paris:
Australian Symbolism, Art Gallery of New South Wales, Sydney, 04 May 2012–22 Jul 2012
Referenced in 6 publications
Jane Clark, Parallel visions: works from the Australian collection, 'Rupert Bunny / E. Phillips Fox', pg. 20-31, Sydney, 2002, 142.
Denise Mimmocchi, Australian Symbolism: the art of dreams, 'Rupert Bunny: myth and the occult', pg.33-35, Sydney, 2012, 35, 37 (colour illus.), 144.
Denise Mimmocchi, Rupert Bunny: artist in Paris, 'Dreaming before the task of abstraction: Rupert Bunny's monotypes', pg. 133- 155., Sydney, 2009, 134 (colour illus.), 143, 208 (colour illus.). cat.no. 92
David Thomas, Art Gallery of New South Wales Quarterly, 'Rupert Bunny', pg. 550-575, Sydney, Oct 1970, 555, 557 (illus.).
Desmond Macaulay and Bettina Macaulay, Singing in the heart: Music and the art of Rupert Bunny, 'From sea to shore in the early Belle Epoque', pg. 35-45, Queensland, 2007, 38, 38 (colour illus.). monoprint referenced "Salome [& John the Baptist]" pg. 38
Renée Free, Fin de Siècle, Sydney, Jan 1994.
Other works by Rupert Bunny
See more works