29 Sep 1891 - 20 May 1974
Painting to me is something of a tightrope act; it is between representation and the other thing – whatever that is. It is difficult to keep one’s balance.
Ian Fairweather, 1963
The central figure of the boy king in 'Roi soleil' asserts his divine status with the gesture of his hand. His image reappears in successive layers on the board, emphasising his presence and authority. The bottom half of the composition
suggests the subject is seated on a buffalo.
The first of Ian Fairweather’s large paintings, 'Roi soleil' was painted in the summer of 1956 when he had just finished building himself a new hut on Bribie Island which, though primitive, greatly improved his living conditions.
gouache on paperboard on hardboard
99.0 x 72.5 cm board; 101.4 x 85.8 x 7.7 cm frame
Signature & date
Signed and dated l.l. corner, "IF [monogram, grey gouache] 57 [pencil]/ ...".
Referenced in 26 publications
Sue Cramer, Cubism & Australian art, 'This Spiritual Adventure: Postwar Cubism 1950-1979', pg. 154-197, Carlton, 2009, 163.
Christine France, New Directions 1952-1962, 'New directions 1952-1962', pg. 7-19, Sydney, 1991, 42. cat.no. 35
Tom Heath, Architecture in Australia [vol. 54 no. 4], 'Ian Fairweather retrospective exhibition', pg. 106-107, Sydney, Dec 1965, 107 (illus.).
Bruce James, Art Gallery of New South Wales handbook, 'Australian Collection: Painting and Sculpture', pg. 102-181, Sydney, 1999, 161 (colour illus.).
Elwyn Lynn, Modern Australian painting, 1950/1975, Adelaide, 1980, 35 (colour illus.).
John McDonald, Australian painters of the twentieth century, 'Ian Fairweather', pg. 28-39, Sydney, 2000, 32, 33 (colour illus.).
Barry Pearce, Art Gallery of New South Wales handbook, 'Australian', pg. 13-35, Sydney, 1988, 32.
Daniel Thomas, Australian painting: colonial, impressionist, contemporary, 'Contemporary', pg.21-27, Adelaide, 1962, 43, 70 (colour illus.). cat.no. 108
Daniel Thomas, Art and Australia, 'Australian collection', pg. 52-62, Sydney, Jul 1972, 57 (illus.).
Laurie Thomas, Modern Australian painting and sculpture: a survey of Australian art from 1950-1960, 'Introduction', pg. 1-10, Adelaide, 1960, 48 (colour illus.).
Two hundred years of Australian painting: nature, people and art in the southern continent, Tokyo, 1992, 150 (colour illus.). cat.no. 93
East of the Sun, Sydney, 1997. List of works
Australian watercolour painters: 1780 to the present day, 'The 1950s and 1960s: Sydney and the abstract painters', pg. 198-213, Sydney, 1989, 200 (colour illus.).
Ian Fairweather, 'The necessity of movement', pg. 130-140, Sydney, 2009, 133, 136, 137 (colour illus.), 138, 254. plate no. 118; cat.no. 136
Twentieth century Australian masterworks from the Art Gallery of New South Wales and the Fred Williams Pilbara Series, Tokyo, 1985, 19 (colour illus.). cat.no. 4
Project 41 - the mosaic, the grid, Sydney, 1983, 2, 5 (illus.). cat.no. 7
Ian Fairweather, Sydney, 1981, 128, 129 (colour illus.). plate no. 61; cat.no. 125
In our own image: the story of Australian art, Sydney, 2002, 153 (colour illus.).
100 masterpieces of Australian painting, Adelaide, 1973, 174, 175 (colour illus.). plate no. 84
Fairweather: a retrospective exhibition, South Brisbane, Jun 1965. cat.no. 35; not paginated
The Adelaide Festival of Arts 1962: Special exhibitions at the National Gallery of South Australia, 'Australian Painting: Colonial, Impressionist, Contemporary', Adelaide, 1962. not paginated; cat.no. 126
S.A. Parker Framing Works, 'Works in the collection with known Parker frames', pg. 27-68, Sydney, 2004, 67 (illus.).
The Art Gallery of New South Wales Bulletin, 'Exhibitions', pg. 10-17, Sydney, Apr 1995-May 1995, 12 (colour illus.).
INK: Whiteley and Others, Sydney, 2006. List of works
In our own image: the story of Australian art, Sydney, 1995, 147 (colour illus.).
Fairweather, Australia, 1994, 99 (colour illus.), 142. plate no. 27