29 Sep 1891 - 20 May 1974
Painting to me is something of a tightrope act; it is between representation and the other thing – whatever that is. It is difficult to keep one’s balance.
Ian Fairweather, 1963
The central figure of the boy king in 'Roi soleil' asserts his divine status with the gesture of his hand. His image reappears in successive layers on the board, emphasising his presence and authority. The bottom half of the composition
suggests the subject is seated on a buffalo.
The first of Ian Fairweather’s large paintings, 'Roi soleil' was painted in the summer of 1956 when he had just finished building himself a new hut on Bribie Island which, though primitive, greatly improved his living conditions.
gouache on paperboard on hardboard
99.0 x 72.5 cm board; 101.4 x 85.8 x 7.7 cm frame
Signature & date
Signed and dated l.l. corner, "IF [monogram, grey gouache] 57 [pencil]/ ...".
Shown in 12 exhibitions
Macquarie Galleries Back Room Show, Macquarie Galleries, Sydney, 13 Mar 1957–25 Mar 1957
Purchases and Acquisitions for 1957, Art Gallery of New South Wales, Sydney, 18 Feb 1958–16 Mar 1958
Australian Painting: Colonial, Impressionist, Contemporary (1962-63):
Fairweather: a retrospective exhibition (1965-1966):
- Queensland Art Gallery, South Brisbane 03 Jun 1965–04 Jul 1965
- Art Gallery of New South Wales, Sydney 21 Jul 1965–22 Aug 1965
- National Gallery of Victoria [Swanston Street], Melbourne 09 Sep 1965–10 Oct 1965
- National Gallery of South Australia, Adelaide 26 Oct 1965–21 Nov 1965
- Western Australian Art Gallery, Perth 09 Dec 1965–16 Jan 1966
- Tasmanian Museum and Art Gallery, Hobart 10 Feb 1966–13 Mar 1966
Project 41: The mosaic -The grid (1983), Art Gallery of New South Wales, Sydney, 25 Mar 1983–24 Apr 1983
Twentieth century Australian masterworks from the Art Gallery of New South Wales and the Fred Williams Pilbara series from the collection of CRA Limited, Tokyo Metropolitan Teien Art Museum, 04 Oct 1985–06 Nov 1985
New Directions 1952-1962, Lewers Bequest and Penrith Regional Art Gallery, Emu Plains, 08 Feb 1991–24 Mar 1991
Two hundred years of Australian painting : Nature, people and art in the southern continent:
- Queensland Art Gallery, South Brisbane 01 Oct 1994–27 Nov 1994
- National Gallery of Victoria [St Kilda Road], Melbourne 17 Dec 1994–19 Feb 1995
- Art Gallery of New South Wales, Sydney 22 Mar 1995–07 May 1995
East of the Sun (1997), The Brett Whiteley Studio, Surry Hills, 01 Jun 1996–17 Nov 1996
Australian icons: twenty artists from the collection, Art Gallery of New South Wales, Sydney, 04 Aug 2000–03 Dec 2000
Ink: Whiteley and others (2006), The Brett Whiteley Studio, Surry Hills, 29 Apr 2006–20 Aug 2006
Referenced in 26 publications
Sue Cramer, Cubism & Australian art, 'This Spiritual Adventure: Postwar Cubism 1950-1979', pg. 154-197, Carlton, 2009, 163.
Christine France, New Directions 1952-1962, 'New directions 1952-1962', pg. 7-19, Sydney, 1991, 42. cat.no. 35
Tom Heath, Architecture in Australia [vol. 54 no. 4], 'Ian Fairweather retrospective exhibition', pg. 106-107, Sydney, Dec 1965, 107 (illus.).
Bruce James, Art Gallery of New South Wales handbook, 'Australian Collection: Painting and Sculpture', pg. 102-181, Sydney, 1999, 161 (colour illus.).
John McDonald, Australian painters of the twentieth century, 'Ian Fairweather', pg. 28-39, Sydney, 2000, 32, 33 (colour illus.).
Barry Pearce, Art Gallery of New South Wales handbook, 'Australian', pg. 13-35, Sydney, 1988, 32.
Daniel Thomas, Art and Australia, 'Australian collection', pg. 52-62, Sydney, Jul 1972, 57 (illus.).
Daniel Thomas, Australian painting: colonial, impressionist, contemporary, 'Contemporary', pg.21-27, Adelaide, 1962, 43, 70 (colour illus.). cat.no. 108
Laurie Thomas, Modern Australian painting and sculpture: a survey of Australian art from 1950-1960, 'Introduction', pg. 1-10, Adelaide, 1960, 48 (colour illus.).
Murray Bail, Ian Fairweather, 'The necessity of movement', pg. 130-140, Sydney, 2009, 133, 136, 137 (colour illus.), 138, 254. plate no. 118; cat.no. 136
Barry Pearce and Patrick McCaughey, Twentieth century Australian masterworks from the Art Gallery of New South Wales and the Fred Williams Pilbara Series, Tokyo, 1985, 19 (colour illus.). cat.no. 4
Project 41 - the mosaic, the grid, Sydney, 1983, 2, 5 (illus.). cat.no. 7
Murray Bail, Ian Fairweather, Sydney, 1981, 128, 129 (colour illus.). plate no. 61; cat.no. 125
Kym Bonython, Ross K Luck, Laurie Thomas and Elwyn Lynn, Modern Australian painting, 1950/1975, Adelaide, 1980, 35 (colour illus.).
William Splatt and Barbara Burton, 100 masterpieces of Australian painting, Adelaide, 1973, 174, 175 (colour illus.). plate no. 84
Queensland Art Gallery (Curator), Fairweather: a retrospective exhibition, South Brisbane, Jun 1965. cat.no. 35; not paginated
The Adelaide Festival of Arts 1962: Special exhibitions at the National Gallery of South Australia, 'Australian Painting: Colonial, Impressionist, Contemporary', Adelaide, 1962. not paginated; cat.no. 126
Jean Campbell, Australian watercolour painters: 1780 to the present day, 'The 1950s and 1960s: Sydney and the abstract painters', pg. 198-213, Sydney, 1989, 200 (colour illus.).
INK: Whiteley and Others, Sydney, 2006. List of works
Paula Dredge, Margaret Sawicki, Steven Miller and Lindsay Parker, S.A. Parker Framing Works, 'Works in the collection with known Parker frames', pg. 27-68, Sydney, 2004, 67 (illus.).
Donald Williams, In our own image: the story of Australian art, Sydney, 2002, 153 (colour illus.).
East of the Sun, Sydney, 1997. List of works
Jonathan Cooper (Editor), The Art Gallery of New South Wales Bulletin, 'Exhibitions', pg. 10-17, Sydney, Apr 1995-May 1995, 12 (colour illus.).
Donald Williams, In our own image: the story of Australian art, Sydney, 1995, 147 (colour illus.).
Murray Bail, Mary Eagle, Drusilla Modjeska, Unknown, Unknown and Unknown, Fairweather, Australia, 1994, 99 (colour illus.), 142. plate no. 27
Barry Pearce and Haruo Arikawa, Two hundred years of Australian painting: nature, people and art in the southern continent, Tokyo, 1992, 150 (colour illus.). cat.no. 93