- Media categories
- Drawing , Watercolour , Collage
- Materials used
- wash, watercolour, collage on photographic paper
- 25.3 x 33.0 cm sheet
- Signature & date
Signed and dated l.r.corner, ink "Gleeson 1/ 83".
- Gift of Julien Playoust 2017. Donated through the Australian Government's Cultural Gifts Program
- Not on display
- Accession number
- © Gleeson/O'Keefe Foundation
- Artist information
Works in the collection
James Gleeson (1915-2008) is renowned as Australia’s foremost surrealist painter and poet. Although his career as an artist began during the 1930s under the influence of artists and writers of the surrealist movement, his work as a writer, critic, lecturer and curator dominated his time until the age of 67 when he decided to devote himself full-time to painting, and embarked on his acclaimed late series of large-scale landscape paintings.
The inspiration for that series was a suite of 22 drawings made at Peregian Beach in Queensland between December 1982 and January 1983. Gleeson made these drawings during his annual holiday at the end of 1982 – when he and his partner Frank O’Keefe stayed at Peregian Beach and spent time exploring the rock pools after storms.
Inspired by the shapes and colours he had witnessed, Gleeson worked on this series of drawings with decalcomania and collage on glossy photographic paper, using coloured tissue paper and photocopies of old wood and steel engravings for collage. As he later stated ‘I worked on this sequence of decalcomanias using collage to enhance the suggestions I discovered in the random dispositions of the pigment. To convert it into a landscape I applied a film of black or coloured tissue papers, often in layers, and I completed the transformation by adding a further collage of images as extensions of the implications provided by the paint’.
He first encountered the technique of decalcomania during the 1930s when it was promoted by surrealist André Breton as a means by which anyone could explore Surrealism.
The drawings were collated into an album known as ‘The Peregian Codex’ in the late 1980s by Lou Klepac.
Shown in 3 exhibitions
Artists' objects: Baldessin, Croft, Gleeson, Herel, Mora, Mourtzakis, Heide Park and Art Gallery, Melbourne, 19 Apr 1988–29 May 1988
James Gleeson: Beyond the screen of sight:
James Gleeson: Agapitos/Wilson annual, Maitland Regional Art Gallery, Maitland, 23 Mar 2012–03 Jun 2012
Referenced in 5 publications
Elizabeth Cross, Artists' objects: Baldessin, Croft, Gleeson, Herel, Mora, Mourtzakis, Melbourne, 1988, 47. cat. entry
James Gleeson, James Gleeson: beyond the screen of sight, Text "The Peregian Suite', pg. 22, Sydney, 2004, 22- 23 (colour illus.), 202. cat. 118
Lou Klepac, Peregian codex: James Gleeson, Sydney, 2008, 15-18, 20 (colour illus.), 24, 28, 31, 64-65 (colour illus.), 92, 96.
Lou Klepac, James Gleeson: Agapitos/Wilson annual, Essay "A close focus on an extraordinary vision", pg. 10-15, Maitland, 2012, 11, 19. Illustration is of the related painting.
Lou Klepac (Editor), James Gleeson: landscape out of nature, Sydney, 1987.
Other works by James Gleeson
See all 501 works