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Title

The foil

(1901)

Artist

Hugh Ramsay

Australia

25 May 1877 - 05 Mar 1906

  • Details

    Date
    (1901)
    Media category
    Painting
    Materials used
    oil on canvas
    Dimensions
    166.4 x 69.7 cm stretcher; 193.3 x 96.5 x 8.0 cm frame :

    0 - Whole, 233.5 cm, SIGHT DIMENSION

    Signature & date

    Signed l.l. corner, black oil "Hugh Ramsay". Not dated.

    Credit
    Gift of the family of Hugh Ramsay 1943
    Location
    19th c Australian art
    Accession number
    7318
    Copyright

    Reproduction requests

    Artist information
    Hugh Ramsay

    Artist profile

    Works in the collection

    7

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  • About

    Throughout his studentship at Melbourne's National Gallery School, Hugh Ramsay studied the methods of a range of old master painters, but it was the work of Velasquez that he was most intent on pursuing when he left Australia for Europe in 1900. Ramsay's first-hand study of Velasquez would significantly enhance his formative painting practice, particularly his portrait painting, for which he had demonstrated obvious talent as a Melbourne student.

    Painted during his initial year in Paris, 'The foil' (1901) suggests Ramsay’s study of Velasquez's methods for enhancing atmosphere, posing the lit figure against a darkened, unembellished backdrop. The sitter for the portrait was John Forrest Ramsay, the artist’s cousin. While guided by the influence of Velasquez's tonalism, 'The foil' is also testament to the range of artistic sources that were shaping Ramsay's painting practice at this time. The elongated format of the work alludes to the grand traditions of portraiture; to van Dyck's "refinement and poetry of line" that Ramsay wrote of from Paris, yet overall exudes an air of simplicity suggestive of contemporary portraiture, particularly the work of Whistler. The subject's pose, dress, backdrop and slim-line form all allude to a Whistlerian style of minimalism. However 'The foil' is ultimately stamped with Ramsay's own emerging subdued aesthetic, or his search, as Bernard Smith once claimed, for the 'true values [of] dark tones'.

  • Exhibition history

    Shown in 5 exhibitions

  • Bibliography

    Referenced in 4 publications

    • Patricia Fullerton, Hugh Ramsay 1877-1906, Melbourne, 1992, 42 (illus. in colour). cat.no. 20

    • Deborah Hart, Hugh Ramsay, Canberra, 2019, 122 (colour illus.), 123, 231 (list of works).

    • Bernard William Smith, Place, taste and tradition: a study of Australian art since 1788, 'The aftermath of Impressionism', pg. 146-180, South Melbourne, 1979, 150 (illus.), 151. plate no. 55

    • Editor Unknown (Editor), Argus, 'Paintings of Hugh Ramsay. Australian's notable work', Melbourne, 01 Oct 1918. Review of Hugh Ramsay's 1918 Memorial Exhibition, held at the Fine Art Society, Melbourne.

Other works by Hugh Ramsay

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