- Place where the work was made
- Media category
- Materials used
- colour aquatint on Hahnemühle rag paper
- 33.0 x 25.0 cm platemark; 55.0 x 45.0 cm sheet
- Signature & date
Signed l.r. beneath platemark, in pencil "EILEEN". Not dated.
- Purchased with funds provided by the Aboriginal Collection Benefactors' Group 2011
- Not on display
- Accession number
- © Eileen Napaltjarri. Licensed by Aboriginal Artists Agency Ltd
- Artist information
Works in the collection
In addition to showcasing the quality of Papunya Tula Artists as a whole, this suite of etchings emphasises the strength of each individual artist as they successfully translate their Tjukurrpa to the new medium of printmaking. Far from being a mere copy of their paintings in a different scale and medium each artists adapts their visual language to this new process with apparent ease, resulting in bold, confident works that are extraordinary in themselves, and when combined as a suite, are truly amazing.
The art centre documentation for this work states:
This etching depicts designs associated with the rockhole and soakage water site of Tjiturrulpa, situated in rocky hills west of the Kintore community. During ancient times a group of men and women travelled east from this site toward the rockhill site of Ilpilli. Along the way they gathered material for the production of various tools used in everyday life. The lines in the etching depict the lengths of wood that are yet to be fashioned into a variety of tools including kulata (spears), wana (nulla nullas), kiritji (shield) and kali (boomerang). While at Tjiturrulpa the group also gathered a variety of bush foods including pitjara or desert yam, the edible tuber of the shrub Ipomoea costata, pura or bush tomato from the shrub Solanum chippendalei, and kampurarrpa or desert raisin from the small shrub Solanum centrale.
Where the work was made
Shown in 1 exhibition
Papunya Tula works on paper, Art Gallery of New South Wales, Sydney, 13 Dec 2012–24 Mar 2013