We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands.

Title

Teapot

20th century

Artist

Yixing ware

China

  • Details

    Place where the work was made
    China
    Date
    20th century
    Media category
    Ceramic
    Materials used
    stoneware
    Dimensions
    9.0 x 24.2 x 10.7 cm :

    a - pot, 8 x 24.2 x 10.7 cm

    b - lid, 3.2 x 5.5 cm

    Credit
    Gift of Mr F. Storch 1982
    Location
    Not on display
    Accession number
    319.1982.a-b
    Copyright

    Reproduction requests

    Artist information
    Yixing ware

    Works in the collection

    6

    Share
  • About

    Yixing is situated on the western side of Lake Taihu, about 130km southeast of Nanjing, in the Chinese eastern province of Jiangsu. While archaeological excavations in the area have yielded potsherds dating back to the Neolithic period, Chinese references recognize the beginning of the characteristic Yixing ware as about the 16th century. Yixing ware, a large proportion of teapots, is distinctive because of the body: a high-fired, often smooth, reddish-brown stoneware.

    Yixing teapots are usually small, even smaller than this, as it was believed by tea connoisseurs that smaller vessels were best for retaining the bouquet and flavour of tea. The pots were made for local use as well as export to European and Thai markets. (It was small Yixing teapots that in the 17th century the Dutch East India Company sent with their tea shipments to Holland to provide Dutch merchants the opportunity to taste the tea).

    The variety of shapes of Yixing teapots was enormous, ranging from the geometric to the naturalistic. Naturalistic shapes included the pomegranate, peach, melon, the trunks of the bamboo, prunus and pine, and also this shape, that of the citron, Buddha's Hand ('Foshou'). The Buddha's Hand is an inedible citron, composed almost entirely of rind and terminating at the head in long narrow processes like fingers. It has a powerful and fragrant odour and was used as an offering in religious festivals, as well as for scenting rooms. The fruit connotes Buddhism because its form resembles a classic position of Buddha's Hand.

    Asian Art Department, AGNSW, 1982.

  • Places

    Where the work was made

    China

  • Exhibition history

    Shown in 1 exhibition

    • The four seasons, Art Gallery of New South Wales, Sydney, Jun 1989–Jul 1990

Other works by Yixing ware

See more works