We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands.

Title

Corners

1972

Artist

Robert Rooney

Australia

24 Sep 1937 - 21 Mar 2017

Alternate image of Corners by Robert Rooney
Alternate image of Corners by Robert Rooney
Alternate image of Corners by Robert Rooney
Alternate image of Corners by Robert Rooney
Alternate image of Corners by Robert Rooney
  • Details

    Date
    1972
    Media category
    Photograph
    Materials used
    36 gelatin silver photographs and ink on paper
    Edition
    2/2
    Dimensions
    8.6 x 8.6 each image; 8.3 x 15.2 cm ink drawing; 58.1 x 104.7 cm visible sheet; 60.6 x 107.6 x 2.6 cm frame
    Signature & date

    l.r. recto sheet pencil '...1972 ROBERT ROONEY'

    Credit
    Gift of Peter Tyndall 2015
    Location
    Not on display
    Accession number
    297.2015
    Copyright
    © Estate of Robert Rooney

    Reproduction requests

    Artist information
    Robert Rooney

    Works in the collection

    12

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  • About

    In his photographic work from the early 1970s, Australian artist Robert Rooney exploited the camera’s status as a mechanical apparatus capable of documenting systems of repetition. Using a standard Kodak Instamatic camera, Rooney recorded gestures and everyday rituals incrementally, displaying each sequence as a gridded photographic composite. Amid the deadpan uniformity of these black and white photographs we witness patterns of cyclical modulation.

    Disinterested in the expressive potential of the photograph, Rooney described the camera in 1975 as ‘a dumb recording device, it’s not the same as seeing. The camera often seems to organise the material itself’.1 In Corners Rooney subjects Melbourne’s Pinacotheca gallery, an important landmark of the Australian conceptual art scene, to the organisational imperative of the camera.

    Rooney has photographed the empty gallery from numerous angles, producing a tour of the space in discrete segments. These photographs are displayed alongside a small drawing that functions as an abstract map of the space. This work, as with Rooney’s other sequential photographs, depicts patterns of circulation. The movement of the camera is cyclical but so is the nature of the space itself. An empty gallery is a site of constant transformation, altered with each exhibition and then returned to its empty state. In Corners, Rooney’s interest in documenting his own everyday experience extends to a close examination of the context in which his own work circulated.

    1 Robert Rooney, Project 8: Robert Rooney, Art Gallery of New South Wales, 1975

  • Bibliography

    Referenced in 2 publications

Other works by Robert Rooney

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