29 Sep 1891 - 20 May 1974
Painted while Ian Fairweather was living on Bribie Island, Queensland, Anak Bayan recalls the artist’s time in Manila, where he lived for a period during the 1930s. The painting has been viewed as a celebration of birth ('anak bayan' means 'son of the country' in the Tagalog language), yet public birth celebrations are not customary in the Philippines.
The well-known street, Anak Bayan, in the Bukid district was most probably the artist's inspiration for painting. According to Fairweather scholar Murray Bail, Anak Bayan is the artist's 'summation of the crowded everyday in Manila' and 'a streetscape of the mind', encapsulating Fairweather's memories of the Filipino people.
From the Gallery Shop
Anak Bayan - Triptych
gouache on cardboard on hardboard
96.8 x 227.3 cm board; 109.0 x 241.3 x 9.0 cm frame
Signature & date
Signed l.r., red gouache "Anak BAYAN IF ["IF" monogram]". Not dated.
Bequest of Lucy Swanton 1982
© Ian Fairweather/DACS. Licensed by Viscopy, Sydney
Shown in 6 exhibitions
Ian Fairweather (1957), Macquarie Galleries, Sydney, 20 Nov 1957–02 Dec 1957
An exhibition of paintings and drawings from the collection of Lucy Swanton (1960), War Memorial Art Gallery, University of Sydney, Sydney, 02 May 1960–13 May 1960
Project 41: The mosaic -The grid (1983), Art Gallery of New South Wales, Sydney, 25 Mar 1983–24 Apr 1983
- Queensland Art Gallery, South Brisbane 01 Oct 1994–27 Nov 1994
- National Gallery of Victoria [St Kilda Road], Melbourne 17 Dec 1994–19 Feb 1995
- Art Gallery of New South Wales, Sydney 22 Mar 1995–07 May 1995
East of the Sun (1997), The Brett Whiteley Studio, Surry Hills, 01 Jun 1996–17 Nov 1996
Australian icons: twenty artists from the collection, Art Gallery of New South Wales, Sydney, 04 Aug 2000–03 Dec 2000
Referenced in 18 publications
Candice Bruce, Brought to Light: Australian Art 1850–1965 from the Queensland Art Gallery collection, '"A Grand Display of Linear Ecstasies". Ian Fairweather Kite Flying', pg. 270-275, Brisbane, 1998, 270.
Deborah Edwards, Australian art: in the Art Gallery of New South Wales, 'Mosaic and figure', pg. 213-214, Sydney, 2000, 228, 229 (colour illus., detail), 230 (colour illus.).
Julie Ewington, Look, 'Ian Fairweather by Murray Bail: Reflections of the artist and writer', pg.10-13, Sydney, Jun 2009, 10-11 (colour illus.). book review
Drusilla Modjeska, Fairweather, 'Painting mother', pg. 44-53, Australia, 1994, 45-46, 48, 50-51, 53, 102 (colour illus.), 142. plate no. 30
Barry Pearce, Art Gallery of New South Wales handbook, 'Australian', pg. 13-35, Sydney, 1988, 32.
Barry Pearce, Look, 'Fairweather's last supper - its journey into our collection', pg. 12-13, Sydney, Jun 2011, 12.
Jill Sykes, Look, 'Members events', pg. 47-49, Sydney, Nov 2008, 49 (colour illus.).
Tony Twigg, Art Monthly Australia, 'Landfall: Ian Fairweather's landing at Oesosole, Roti', pg. 64-65, Canberra, Oct 2011, 64 (colour illus.), 65.
Tony Twigg, Asian art news, 'The wandering artist', pg. 52-57, Hong Kong, Jan 2009-Feb 2009, 52-53 (colour illus.), 56, 57 (colour illus., detail).
East of the Sun, Sydney, 1997. List of works
Murray Bail, Ian Fairweather, 'Anak Bayan', pg. 141-157, Sydney, 2009, 141, 142, 144-145 (colour illus.), 254. plate no. 125; cat.no. 140
Ursula Prunster, Aspects of Australian art, Sydney, 2000, (illus.). card no. 11: John Olsen 'Spanish encounter' 1960
Donald Williams, Looking At Australia, Australia, 1997, 11, 23, 37, 111.
John Saxby (Editor), Look, 'Art that made me: Ildiko Kovacs', pg. 14-15, Sydney, Apr 2016, 15 (colour illus.).
Ewen McDonald, AGNSW Collections, 'From Colonialism to late Modernism', pg. 7-106, Sydney, 1994, 68 (colour illus.).
Edmund Capon and Jan Meek (Editors), Portrait of a Gallery, 'Australian 20th Century Art', pg. 71-89, Sydney, 1984, 73 (colour illus.).
Project 41 - the mosaic, the grid, Sydney, 1983, 2. cat.no. 8
Murray Bail, Ian Fairweather, Sydney, 1981, 134, 138-139 (colour illus.), 140, 242. plate no. 68; cat.no. 136