We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands.

🛈 In line with NSW Health advice, the Art Gallery is temporarily closed to the public. Stay updated on our social media.

Title

Untitled (Dorothy/Bonny #2) , from the series Strange Fruit

1994

Artist

  • Details

    Place where the work was made
    Sydney New South Wales Australia
    Date
    1994
    Media category
    Photograph
    Materials used
    cibachrome photograph
    Dimensions
    168.7 x 117.8 x 2.5 cm frame; 152.0 x 101.0 cm sight
    Signature & date

    Not signed. Not dated.

    Credit
    Purchased with funds provided by the Young Friends of the Art Gallery Society of New South Wales 1994
    Location
    Not on display
    Accession number
    171.1995.6
    Copyright
    © Brenda L Croft. Licensed by Copyright Agency

    Reproduction requests

    Artist information
    Brenda L Croft

    Artist profile

    Works in the collection

    30

    Share
  • About

    'Strange fruit' was first exhibited in 1994 at The Performance Space, in partnership with Boomalli Aboriginal Artists Cooperative. The title, 'Strange fruit', is drawn from the Billie Holiday song about the racial atrocities that occurred in the deep south of America, but also considers the use of the term 'hybridity' in relation to contemporary arts practice with cross-pollinated images of racial identity.
    In the initial installation, the images were intimate in scale and displayed in conjunction with native and introduced species of fruit and flowers that rotted during the exhibition, while a looped sound-piece comprising the overlaid voices of the women depicted, continuously played. This rich sensory experience played with the notion of 'strange fruit' and what this may be.
    The works exhibited here are on a much larger scale. Each of the images provides an intimate portrait of one of Croft's friends assuming a specific character, including Billie Holiday. The work refers to the classification and preconceptions of who is actually of Aboriginal heritage and what an Aboriginal person is supposed to look like in contemporary Australian society.

  • Places

    Where the work was made

    Sydney

  • Exhibition history

    Shown in 1 exhibition

  • Bibliography

    Referenced in 2 publications

    • Hetti Perkins and Jonathan Jones (Editors), Half light: Portraits from black Australia, 'Brenda L Croft', pg. 56-63, Sydney, 2008, 63 (colour illus.).

    • Jane Somerville, Look, 'Where to now, Contempo?', pg.28-31, Sydney, Jul 2007, 29.

Other works by Brenda L Croft

See all 30 works