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Title

Wet hair

1974
printed 1999

Artist

Ian Dodd

Australia

06 Apr 1937 -

  • Details

    Dates
    1974
    printed 1999
    Media category
    Photograph
    Materials used
    gelatin silver photograph
    Edition
    print no.2
    Dimensions
    13.8 x 9.0 cm image; 25.2 x 20.3 cm sheet
    Signature & date

    Signed and dated c. verso, pencil "...1974/ ...November 1999/ .../ Ian Dodd ...".
    Signed l.r. sheet, ink "Ian Dodd".

    Credit
    Purchased with funds provided by Anthony Bertini, Sydney 2000
    Location
    Not on display
    Accession number
    153.2000
    Copyright
    © Ian Dodd

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    Artist information
    Ian Dodd

    Works in the collection

    5

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  • About

    Ian Dodd has described his work as 'exploring the magic and the real, the human, erotic and eccentric'.1 He is a Sydney-based photographer whose work has become iconic, especially ‘Wet hair’, which has been reproduced extensively and was regarded as one of the most important images of Australian photography from the 1970s. Dodd, like Robert Besanko, is inspired by the magic of everyday life and with how to depict this otherworldliness in black-and-white photography. In addition, Dodd’s practice has a relationship to the work of New Zealand photographer Peter Peryer, who is also able to make the ordinary unusual in a subtle and poetic way.

    ‘Wet hair’ and ‘White peacock’ 1994 (AGNSW collection) are potent images that reveal the inherent mystery in the things around us. From a close-up view of dark wet hair on a woman’s white neck as it coils and weaves like marbled ink on a page, to a dazzling peacock’s display that appears in an electric shock of black and white, Dodd delights in the imaginative potential and beauty of his subject. He has an eye for unusual detail, particularly striking pattern and textures of natural and random occurrence. The uncontrived nature and familiarity of his subjects seems incongruous with the dramatically beautiful and intense appearance they make in his work. It is not that their exquisite beauty is unknown to the viewer, but that by recording such moments with the impact and wonder of first sight, Dodd unsettles the element of familiarity, reinstating and sustaining their fascination and magic by the transformative power of the black-and-white image.

    1. National Gallery of Australia 1994, ‘On the edge: Australian photographers of the seventies from the collection of the National Gallery of Australia; Philip Morris Arts Grant’, San Diego Museum of Art, California p 76

    © Art Gallery of New South Wales Photography Collection Handbook, 2007

  • Exhibition history

    Shown in 1 exhibition

    • Magical realism, Art Gallery of New South Wales, Sydney, 18 Feb 2006–02 Apr 2006

  • Bibliography

    Referenced in 1 publication

Other works by Ian Dodd

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