29 Sep 1891 - 20 May 1974
'Chinese mountain' is a fascinating hybrid between visual cultures, made during the formative part of Fairweather's career after he arrived in Melbourne in 1934. The work clearly reflects something of his Asian experience but also his interest in Post-Impressionism, especially the work of Cézanne and Van Gogh. This passion was shared by other local artists including William Frater, Arnold Shore and Lina Bryans, who strengthened Fairweather's growing interest in the movement.
© Australian Art Department, Art Gallery of New South Wales, 2004
oil and gouache on cardboard
48.7 x 59.0 cm board; 61.8 x 69.0 x 6.0 cm frame
Signature & date
Signed l.l. corner, pencil "I Fairweather". Not dated.
Not on display
© Ian Fairweather/DACS. Licensed by Copyright Agency
Shown in 4 exhibitions
Fairweather: a retrospective exhibition (1965-1966):
- Queensland Art Gallery, South Brisbane 03 Jun 1965–04 Jul 1965
- Art Gallery of New South Wales, Sydney 21 Jul 1965–22 Aug 1965
- National Gallery of Victoria [Swanston Street], Melbourne 09 Sep 1965–10 Oct 1965
- National Gallery of South Australia, Adelaide 26 Oct 1965–21 Nov 1965
- Western Australian Art Gallery, Perth 09 Dec 1965–16 Jan 1966
- Tasmanian Museum and Art Gallery, Hobart 10 Feb 1966–13 Mar 1966
- Queensland Art Gallery, South Brisbane 01 Oct 1994–27 Nov 1994
- National Gallery of Victoria [St Kilda Road], Melbourne 17 Dec 1994–19 Feb 1995
- Art Gallery of New South Wales, Sydney 22 Mar 1995–07 May 1995
Yin-Yang: China in Australia, S.H. Ervin Gallery, The Rocks, 08 Aug 2008–28 Sep 2008
Australian Artists in Bali: 1930s to Now, McClelland Gallery + Sculpture Park, Langwarrin, 20 Sep 2015–29 Nov 2015
Referenced in 9 publications
Murray Bail, Mary Eagle, Drusilla Modjeska, Unknown, Unknown and Unknown, Fairweather, Australia, 1994, 76 (colour illus.), 142. plate no. 4; Private collection, Melbourne
Murray Bail, Ian Fairweather, 'China and Bali', pg. 18-28, Sydney, 2009, 23 (colour illus.), 246. plate no. 6; cat.no. 17; titled '(Chinese Mountain)'
Murray Bail, Ian Fairweather, Sydney, 1981, 33, 35 (colour illus.), 220, 231. cat.no. 17, colour plate no. 8; Private collection, Melbourne
Joanna Capon, Yin-yang : China in Australia, 'The influence of China on Australian art', pg. 47-55, Sydney, 2008, 52 (colour illus.), 53.
Department of Education and Science (Editor), Hemisphere [vol. 27, no. 1], Sydney, 1982, 57 (colour illus.).
Rodney James, Australian artists in Bali: 1930s to now, 'The first and second wave 1930-1990', pg. 8-38, Langwarrin, 2015, 14, 64.
Barry Pearce, Look, 'Ian Fairweather's Chinese encounter', pg. 28-31, Sydney, Aug 2004, 29 (colour illus.), 31.
Queensland Art Gallery (Curator), Fairweather: a retrospective exhibition, South Brisbane, Jun 1965. cat.no. 65; Pictures from the collection of Mrs. Lina Bryans
Jill Sykes, Look, 'The Chinese factor: China's indelible impression on Ian Fairweather', pg. 10-11, Melbourne, Nov 2001, 10 (colour illus.), 11.