We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of New South Wales stands.

Freya Roebuck Bushfire couture

Work by Freya Roebuck
Work by Freya Roebuck
Work by Freya Roebuck
Work by Freya Roebuck
Work by Freya Roebuck
Work by Freya Roebuck

Pyriscence: (seed release by fire) is the ending is the beginning
Serotiny: (regeneration) of the human condition in the wake of psychic death

An exploration of bushfires and serotiny in the Banksia species, combined with a case study of colonial Australia focusing on Tom Roberts’ A summer morning tiff, exposed themes of conflict and psychic death, illuminating the regeneration of the human condition. This evolved to encompass an exploration of the Indigenous presence in the landscape; further, to a juxtaposition of the roles of Indigenous and colonial women. This connection to landscape was manifested through the use of natural eucalyptus dyes and the process of burning – this marriage of concept and practice alluding to Indigenous collective memory, focusing on mourning and rebirth.

Influencing artists: r e a, Linda Jackson, Jenny Kee, Tom Roberts, Frederick McCubbin, Linda Sproul, India Flint

School

All Saints' College Bathurst

ARTEXPRESS year

2013

HSC year

2012

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Process diary

Work by Freya Roebuck
Work by Freya Roebuck
Work by Freya Roebuck
Work by Freya Roebuck
Work by Freya Roebuck
Work by Freya Roebuck
Work by Freya Roebuck
Work by Freya Roebuck
Work by Freya Roebuck
Work by Freya Roebuck