Janet Dawson Far Away, So Close

Abstract painting in bright colours

Janet Dawson The origin of the Milky Way 1964, National Gallery of Australia © Janet Dawson 

Brightly coloured abstract artworks hang on the gallery wall, while \ round sculptures are displayed in the centre of the room.

Installation view of the Janet Dawson: Far Away, So Close exhibition, 2025, artworks © Janet Dawson

Blue circle with an almost full moon at top right

Janet Dawson Moon at dawn through a telescope, January 2000 2000, National Gallery of Australia © Janet Dawson

A telegraph pole in a seaside landscape at dusk

Janet Dawson Bellarine dusk 2016–18, Art Gallery of New South Wales © Janet Dawson

Installation view of the Janet Dawson: Far Away, So Close exhibition at the Art Gallery of New South Wales,  artworks © Janet Dawson

Installation view of Janet Dawson: Far Away, So Close at the Art Gallery of New South Wales, artworks © Janet Dawson

Three circular paintings on a white wall,  depicting atmospheric scenes in earthy and muted tones

Installation view of the Janet Dawson: Far Away, So Close exhibition at the Art Gallery of New South Wales, artworks © Janet Dawson

Brightly coloured abstract artworks hang on the gallery wall, while \ round sculptures are displayed in the centre of the room.

Installation view of Janet Dawson: Far Away, So Close at the Art Gallery of New South Wales, artworks © Janet Dawson

A person viewing three abstract monochrome artworks framed on a white gallery wall.

Installation view of Janet Dawson: Far Away, So Close at the Art Gallery of New South Wales, artworks © Janet Dawson

The first state art museum retrospective of one of Australia’s great artistic visionaries

Janet Dawson Far Away, So Close

19 July 2025 – 18 January 2026

Art Gallery of New South Wales

Naala Nura building

Lower level 2

Free

Janet Dawson (born 1935) is one of Australia’s pre-eminent artists. Throughout a distinguished career spanning over six decades of practice, she remains an artist who has refused to be bound by rules.

Dawson’s practice is impossible to neatly categorise. She emerged as a strikingly distinct abstract painter in 1960s Melbourne and Sydney. In 1973, she won the Archibald Prize for portraiture, only the third woman in history to receive this award. By the 1990s, over decades living on an isolated property at Binalong, NSW, she developed an arresting form of realism that she used to paint the everyday objects and environments around her.

A pioneer of both abstraction and realism in Australian art, Dawson sees no contradiction in working between diverse stylistic and aesthetic realms. Consistent to her art is a sense of curiosity about material existence and states of the natural world.

Despite prevailing respect from many in the art world, Dawson’s achievements are underacknowledged. This comprehensive retrospective, and its accompanying publication, honours the work of an exceptional and versatile artist.

Major partner

Art Gallery of New South Wales support partners