We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands.

Title

Namorrorddo (Figure with long fingers)

1960

Artist

Samuel Manggudja

Australia

1909 - 1983

Language group

Kunwinjku, Arnhem region

No image
  • Details

    Other Titles
    Namorrorddo (figure with long fingers)
    Figure with long fingers
    Places where the work was made
    Western Arnhem Land Northern Territory Australia
    Liverpool River Western Arnhem Land Northern Territory Australia
    Date
    1960
    Media category
    Bark painting
    Materials used
    natural pigments on bark
    Dimensions
    103.5 x 34.5 cm (irreg.)
    Signature & date

    Not signed. Not dated.

    Credit
    Gift of Dr Stuart Scougall 1961
    Location
    Not on display
    Accession number
    IA9.1961
    Copyright
    © Estate of Samuel Manggudji and Injalak Arts.
    Artist information
    Samuel Manggudja

    Artist profile

    Works in the collection

    3

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  • About

    Samuel Manggudja (Garnarradj) was born in the Gumaderr River region of western Arnhem Land, and spent his early years living a traditional lifestyle. His father took him to Goulburn Island Mission as a young boy and he attended school there. Later, in 1930, he went to join his promised wife in Gunbalanya (Oenpelli), where he lived for the rest of his life. Manggudja had strong knowledge of ceremonial matters, and was a key assistant in the research work conducted by the anthropologists Ronald and Catherine Berndt in Gunbalanya in the late 1940s. Ronald Berndt collected a number of paintings by Manggudja in 1947, and these are now housed in the Berndt Museum of Anthropology at the University of Western Australia, Perth. Manggudja's work in the Art Gallery of New South Wales, Sydney, is part of the extensive gift by Dr Stuart Scougall, and dates from 1960. These works characteristically feature dotted infill for the figures, a style that relates strongly to the rock art of Manggudja's clan lands. It was only later, in the 1970s, that the crosshatched
    infill, borrowed from ceremonial painting, became an ubiquitous style in the western Arnhem Land region.

    Manggudja's painting, 'Man with leprosy', 1961, relates to many rock paintings that were the product of sorcery practices. Paintings of figures with elongated or detached limbs are said to have been used to magically transfer these afflictions to a nominated victim. Once the image was created, the name of the victim was called out over the painting. 'Figure with the long fingers', 1960, relates to paintings of the namorrorddo, or shooting star spirit, that is said to grasp the souls of the living with its clawed hands and rush away across the sky with them.

    Manggudja continued to develop as an artist throughout the 1970s and his works were included in exhibitions arranged by the then Aboriginal Arts Board of the Australia Council and in its Oenpelli Bark Painting publication Of 1979. Samuel Manggudja served on the Aboriginal Arts Board from 1973 to 1975.

    Luke Taylor in 'Tradition today: Indigenous art in Australia', Art Gallery of New South Wales, Sydney, 2004

    © Art Gallery of New South Wales

  • Places

    Where the work was made

    Western Arnhem Land

  • Exhibition history

    Shown in 2 exhibitions

  • Bibliography

    Referenced in 3 publications

Other works by Samuel Manggudja

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