We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands.

Title

Lany'tjung story no 3

1959

Artist

Muŋgurrawuy Yunupiŋu

Australia

circa 1907 – 12 Apr 1979

Language group: Gumatj, Arnhem region

Artist profile

  • Details

    Other Titles
    Laindjung myth no 3
    Lany'tjung myth no 3
    Place where the work was made
    Yirrkala North-east Arnhem Land Northern Territory Australia
    Date
    1959
    Media category
    Bark painting
    Materials used
    natural pigments on bark
    Dimensions
    194.0 x 51.5 cm (irreg.)
    Signature & date

    Not signed. Not dated.

    Credit
    Gift of Dr Stuart Scougall 1959
    Location
    20th & 21st c Australian art
    Accession number
    IA62.1959
    Copyright
    © Estate of Munggurrawuy Yunupingu, courtesy Buku-Larrnggay Mulka Centre

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    Artist information
    Muŋgurrawuy Yunupiŋu

    Artist profile

    Works in the collection

    16

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  • About

    top right: Lowtide, to the south of Caledon Bay near, a hill where the sacred yellow ochre is found. The areas of yellow pigment depict sand and the cross-hatching in between shows patches of water. The bands of cross-hatching at either end of this panel represent sandbars.

    upper right: Baru, the Ancestral crocodile, at Caledon Bay is shown crawling over seaweed (the food of dugong and green turtle). The tide is in and Baru is under water.

    lower right: Baru is in its special hole in the sea. The crocodile's head and tail rest on sand bars whilst the body floats over the hole.

    bottom right: Depicts a large jungle of paperbarks and other trees used in sacred ceremonies between Caledon Bay and Trial Bay. The little white dots are embers left after a fire.

    bottom left: The small red circles represent two fires made for a ceremony. After the ceremony other fires are lit and the flames run wild and cover the sacred site. The lower section represents fire inside the sacred 'shade' where sacred objects are kept, two of which are shown as well as two bones from a man who was burnt.

    lower and upper left: The fire travels through the rest of the picture. The four sections in this panel are covered in cross-hatching representing bushland. As a boy Munggurrawuy was in this locality and lost a pair of scissors in the grass. The incident has now been incorporated in this representation of the sacred ancestral stories.

    top left: A group of Gumatj people were camping and were caught by the fire. The three figures represent the group and their bones are also shown lying in the fire. Two women discovered the bones and told their story to other hunters who came and saw the catastrophe.

    The background cross-hatching represents such aspects of the environment as sandbars, seaweed, hot ashes, bushland, grass, etc.

    © Information provided by the artist

    Australian Art Department, AGNSW, 2000

  • Places

    Where the work was made

    Yirrkala

  • Exhibition history

    Shown in 3 exhibitions

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