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Itinerant acrobats

circa 1770


Company school


late 18th century - late 19th century


The acrobats are typical of those numerous sets of depictions of castes and occupations so much favoured by European patrons of Indian painters in the early nineteenth century. In this striking image all attention is focused on the woman balancing on top of the pole. Below her, providing a drum roll to intensify the drama of the act is a drummer playing a double-headed drum that's v-shaped lacing is clearly visible. Both women wear the long saris typical of the Maharashtran region of western India; the saris are long enough for women to be able to wind them between their legs, so achieving a pantaloon effect. The style enables the ease of movement necessary in acrobatic routines as illustrated here but also allowed Maratha women to ride astride on horses and fight in various military campaigns in the eighteenth century.

Jim Masselos, 'Dancing to the flute - Music and dance in Indian art', AGNSW, 1997. pg. 248.


Other Titles

The buffet game

Mock fight

Place where the work was made

Thanjavur (Tanjore) Tamil Nadu India


circa 1770

Media categories

Painting , Watercolour

Materials used

opaque watercolour with gold and silver on paper


22.8 x 18.1 cm image; 28.4 x 23.1 cm sheet

Signature & date

Not signed. Not dated.


Gift of Mr George Sandwith 1957

Accession number


Artist information

Company school

Works in the collection


Shown in 6 exhibitions

Exhibition history

Referenced in 4 publications


Sonny Eisfeldt, Ann-Charlotte Nilsson Eisfeldt and Richard Magito Brun, Eisfeldt: en surrealistisk familj, Sweden, 2014, 119 (colour illus.).

Jim Masselos, Divine and Courtly Life in Indian Painting, Sydney, 1991. 5.9. Work is titled 'Mock fight' in this catalogue.

Jackie Menzies (Editor), The Asian Collections Art Gallery of New South Wales, 'Folk Paintings and Souvenir Pictures', Sydney, 2003, 47 (colour illus.).

Pratapaditya Pal, Dancing to the flute: music and dance in Indian art, Sydney, 1997, 248 (colour illus.). 154 See 'Further Information' for text.