- Media category
- Materials used
- type C photograph
- 74.0 x 74.0 cm sight; 78.0 x 78.0 cm frame
- Signature & date
Signed l.r. verso frame, ink "A Zahalka". Dated l.l. verso frame, ink "...1990" and l.r. verso frame,
- Hallmark Cards Australian Photography Collection Fund 1990
- Not on display
- Accession number
- © Anne Zahalka. Licensed by Copyright Agency
- Artist information
Works in the collection
‘I am primarily concerned with … representations to do with place, identity and culture. Through the appropriation and reworking of familiar icons and styles I seek to question (and understand) their influence, meaning and value…. The series ‘Bondi: playground of the Pacific’ evolved from a six month residency at the Bondi pavilion. The project looked at Bondi’s status as a significant cultural site and questioned the dominant representations that mythologise and embody it.’ Anne Zahalka 1995 1
Anne Zahalka, in her tableaux, forces the viewer to question what is being looked at. Zahalka did this by taking familiar images from the media and from the history of Australian art and remaking them in ways which reflect the diversity of contemporary life rather than received notions. In her series ‘Bondi: playground of the Pacific’ Zahalka uses a painted background of a beach, against which she places and plays with the icons of Australian beach culture: the surfers are Japanese; Max Dupain’s sunbather becomes a pale skinny redhead; and the modern ‘bathing beauty’ reclining on the sand is reading Marcel Proust, ‘immersed in a completely different place to the one where she lies’. 2
Anne Zahalka was educated in Sydney at East Sydney Technical College and Sydney College of the Arts. She graduated MFA from the University of NSW in 1994. She has received several fellowships and awards including Kunstlerhaus Bethanian, Berlin 1986
1. Letter to Anne Kirker 26 July 1995 printed in Kirker, A. & Williamson, C. 1996, ‘The power to move: aspects of Australian photography’, Queensland Art Gallery, Brisbane p 32
2. Correspondence with Judy Annear (AGNSW), 16 August 2005
© Art Gallery of New South Wales Photography Collection Handbook, 2007
Shown in 4 exhibitions
Contemporary Colour Photographs from the Collection, Art Gallery of New South Wales, Sydney, 06 Jul 1991–22 Sep 1991
Critic's Choice, Art Gallery of New South Wales, Sydney, 22 Apr 1994–10 Jul 1994
Points of view: Australian photography 1985-95, Art Gallery of New South Wales, Sydney, 19 Nov 2005–29 Jan 2006
Anne Zahalka, Art Gallery of New South Wales, Sydney, 14 Mar 2007–02 May 2007
Referenced in 5 publications
Judy Annear, Points of view: Australian photography 1985-95, Sydney, 2005, (colour illus.). no catalogue numbers
Judy Annear, Look, 'Points of view: changing attitudes and approaches in Australian photography 1985-95', pg.17-19, Sydney, Nov 2005, 19 (colour illus.).
Sandra Byron and Isobel Crombie, Twenty contemporary Australian photographers - from the Hallmark Cards Australian Photographic Collection, Melbourne, 1990, 51 (illus.).
Bronwyn Clark-Coolee, Photography: Art Gallery of New South Wales Collection, 'Not 'simply' anything', pg.266-287, Sydney, 2007, 285 (colour illus.).
Robert McFarlane, Critic's Choice, Sydney, 1994.
Other works by Anne Zahalka
See more works