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Title

Holiday sketch at Coogee

1888


Artist

Tom Roberts

England, Australia

08 Mar 1856 - 14 Sep 1931


About

Tom Roberts met Charles Conder in Sydney in 1888, and the two painted together at Coogee beach. These painting expeditions proved influential on the younger Conder. Later that year he followed Roberts to Melbourne to join him and Arthur Streeton at their artists’ camp at Heidelberg.

While Conder painted Coogee Bay with an emphasis on the decorative qualities of colour and form, Roberts’ 'Holiday sketch at Coogee' suggests his primary concern for the landscape’s natural effects. It is an early testament to Roberts’ plein-air ‘impressionist’ technique, which evokes the sun’s glare on the bright blue sea, bleached white sand, dry grass and spindly seaside vegetation.


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Details


Other Titles

Coogee Bay

Coogee


Place where the work was made

Coogee Sydney New South Wales Australia


Date

1888


Media category

Painting


Materials used

oil on canvas


Dimensions

40.3 x 55.9 cm stretcher; 56.8 x 72.0 x 5.5 cm frame


Signature & date

Signed and dated l.l. corner, dark brown oil "...Tom Roberts -/ April 88".


Credit

Purchased 1954


Location

Not on display


Accession number

9078


Artist information

Tom Roberts

Artist profile

Works in the collection

46


Shown in 18 exhibitions

Exhibition history


Referenced in 64 publications

Bibliography


Tim Bonyhady, Australia's impressionists, 'The sunny south', pg. 19-30, London, 2016, 20, 46, 88 (colour illus.), 115, 124, 127. cat.no. 24

Ian Burn, Australian art and architecture: essays presented to Bernard Smith, 'Beating about the bush: the landscapes of the Heidelberg School', pg. 83ff., Melbourne, 1980, 91, 92, 240.

Robert Campbell, Paintings of Tom Roberts, Adelaide, 1962, 18, 19 (colour illus.). NOTE: not paginated after page 12 and plate missing from AGNSW copy

Miriam Cosic, The Australian, 'Making a fresh impression', pg. 16, 30 Mar 2007, 16 (illus.).

the Daily Mirror Art Critic., Daily Mirror, 'High prices for art collection', Sydney, 16 Jun 1954, page unknown. NOTE: Article references the auction sale of the Australian section of the late Sir Marcus Clark's art collection at Lawson's on 15 June 1954.

Mary Eagle, Australian Impressionism, 'Friendly Rivalry: Paintings of Waterside Sydney, 1888 and 1890', pg. 103-108, Melbourne, 2007, 79, 104-105, 323, 114 (colour illus.). cat.no. 6.5

Australian artists at Horderns' Gallery', The Sydney Morning Herald, 'Exhibition of early paintings, pg. 1, Sydney, 02 Dec 1925, 1 (illus.). Review of exhibition at Horderns' Gallery. Titled 'Coogee Bay'. See AGNSW Press Clippings Book August 1925-June 1927, pg. 166,167.

James Gleeson, Masterpieces of Australian painting, 'Tom Roberts', pg. 58-63, Melbourne, 1969, 60 (illus.). titled 'Holiday Sketch at Coogee'; plate no. 6; dated April 1888

Janet Hawley, Good Weekend, 'Tom Roberts Bailed Up', pg. 32-39, Sydney, 24 Feb 1996, 34 (colour illus.).

John Henshaw (Editor), The golden age of Australian painting - Impressionism and the Heidelberg school, Melbourne, 1969, 26 (colour illus.), 28. plate no. 13

Bruce James, Art Gallery of New South Wales handbook, 'Australian Collection: Painting and Sculpture', pg. 102-181, Sydney, 1999, 110 (colour illus.).

Debra Jopson, Sun-Herald, 'Loo with a view makes a bad impression', pg. 4, Sydney, 26 Apr 2009, 4 (colour illus.).

J. S. MacDonald., A memorial exhibition of paintings by the late Tom Roberts (1932), 'Tom Roberts' place in Australian art', Melbourne, 1932. titled 'Coogee'; cat.no. 9; not paginated

Nick Moncrieff-Hill, Southern Courier, ‘Call to push paintings, not pubs’, pg. 5, Sydney, 10 Nov 2009, 5 (colour illus.).

Barry Pearce, Look: 1953-2003 celebrating 50 years, 'The enigmatic Charles Conder: spotlight on a lesser known Heidelberg painter', pg. 8-11, Sydney, May 2003, 9 (colour illus.).

Barry Pearce, Charles Conder 1868-1909, 'Between worlds: Conder in Australia', pg. 12-31, Sydney, 2003, 18, 19 (colour illus.).

Barry Pearce, Southern reflections: 10 contemporary Australian artists, 'An Introduction to Australian Art', pg. 34-42, Sydney, 1998, 37 (colour illus.). fig.no. 6

Ron Radford., Ladies in Landscapes, 'Ladies in landscapes', Ballarat, 1974, (illus.). titled 'Holiday sketch at Coogee'; cat.no. 30; sepia toned reproduction

Lynne Seear, American Impressionism & Realism: A landmark exhibition from The Met, 'Continental drift: Stories from Australia about an American exhibition', pg. 51-61, Sydney, 2009, 55, 184 (colour illus., detail), 185, 188 (colour illus.), 189, 321, 331. cat.no. 14A; Exhibition in the 'At Leisure Australia' section

Arnold Shore, Tom Roberts, Melbourne, 1964, 12, 28 (illus.).

Eileen Slarke, A century of Wylie's Baths Coogee: a cultural history, 'An inspirational site', pg. 5-6, Coogee, 2001, 5-6, 13 (colour illus.), 47.

Daniel Thomas, Art Gallery of New South Wales Quarterly, 'Tom Roberts', pg. 466-487, Sydney, Jul 1969, 467 (illus.), 470. titled 'Holiday sketch at Coogee'

Vivienne Webb, Australian art: in the Art Gallery of New South Wales, 'Golden age', pg. 37-38, Sydney, 2000, 38, 57 (colour illus.), 302.

Elizabeth Young, Australian painting: colonial, impressionist, contemporary, 'Impressionist', pg. 11-17, Adelaide, 1962, 40. cat.no. 43

Estate late Sir Reginald Marcus Clark, K.B.E.; Catalogue no. 1; Australian pictures- porcelains-ivories-miniatures-articles of vertu and furniture, Sydney, 1954. NOTE: Not included in catalogue.

Art Gallery of New South Wales picturebook, Sydney, 1972, 78 (colour illus.). titled 'Holiday sketch at Coogee'

Tom Roberts: father of Australian landscape painting, Melbourne, 1935, 22. NOTE: Reference to painting; titled 'Coogee'; Collection of Mr. R. M. Clark

Fifteen decades of Australian paintings, Sydney, 1981, (colour illus.). cat.no. 6

Patrick White's Choice, Sydney, Dec 1981, (illus.). cat.no. 2; not paginated

The Adelaide Festival of Arts 1962: Special exhibitions at the National Gallery of South Australia, 'Australian Painting: Colonial, Impressionist, Contemporary', Adelaide, 1962. titled 'Coogee Bay'; cat.no. 54; not paginated

Charles Conder - his Australian years, Melbourne, 1960, 28 (illus.). plate no. 3

Australian Women's Weekly, 'Art for auction', author unknown, Sydney, 07 Jul 1954, page unknown. Article about Lawson's auction of Sir Marcus Clarke's art collection.

The Sydney Morning Herald, 'New painting for Gallery', Sydney, 06 Jul 1954, page unknown. Image of William Boustead, with scalpel in hand, restoring the painting upon its arrival at the Gallery in 1954.

Trustees of the Art Gallery of New South Wales: Minutes 30.1.1953-27.8.1954, Sydney, 1953-1954, 4036. NOTE: Under the heading: 'Auction Sale - The late Sir Marcus Clark'.

Catalogue of an exhibition of the early work of Arthur Streeton, Tom Roberts and others, 'Foreword', page unknown, Sydney, Dec 1925. titled 'Coogee Bay; cat.no. 16; priced 135 guineas; not paginated

A century of Australian landscape: mood and moment, Sydney, 1983, 14, 32 (colour illus.). cat.no. 15

Catalogue of an exhibition of the early work of Arthur Streeton, Tom Roberts and others (1925), Sydney, 1925, (illus.). titled 'Coogee Bay'; cat.no. 16; priced 135 guineas

Golden summers: Heidelberg and beyond, Melbourne, 1985, 96 (colour illus.).

Tom Roberts, 'Harmonic arrangements: Tom Roberts' painting' Anne Gray, pg. 31-60, Canberra, 2015, 42, 162, 163 (colour illus.), 349. cat.no. 35

Tom Roberts 1856-1931: a catalogue raisonné. Volume 1 - Text, Melbourne, 1985, 104. cat.no. 104

Look, 'Special spot saved', pg. 8, Sydney, Jul 2009, 8 (colour illus.).

Tom Roberts 1856-1931: a catalogue raisonné. Volume 2 - Plates, Melbourne, 1985, (colour illus.). plate no. 46

Art of Australia. Vol 1: Exploration to Federation, ‘Our hill of gold’, pg. 419-484, Sydney, 2008, 442, 443 (colour illus.).

Unknown and Unknown, Two hundred years of Australian painting: nature, people and art in the southern continent, Tokyo, 1992, 90 (colour illus.). cat.no. 45

Roy and Matilda - The Golden Locket, Canterbury, 1994, (colour illus.).

Bailed up: the story behind the painting, Sydney, 2006, 60.

Australian painting, 1788-1990 with the three additional chapters on Australian painting since 1970, 'Chapter 4: Genesis 1885-1914', pg. 71-124, Melbourne, 1995, 75, 76 (illus.), 95. plate no. 53

In our own image: the story of Australian art, 'The search for an Identity 1880-1901', pg. 53-61, Sydney, 1995, 57 (colour illus.).

Conder & friends, 'New friends: Coogee', Melbourne, 2003, (colour illus.), (colour illus., detail).

In our own image: the story of Australian art, Sydney, 2002, 48 (colour illus.).

Charles Conder: the last bohemian, 'A child of Empire', pg. 5-28, Melbourne, 2002, 25.

Transformations in Australian art: The nineteenth century - landscape, colony and nation [Volume One], 'Landscape with feeling: Golden summers and modern life', pg. 107-123, St Leonards, 2002, 117.

The beach, Australia, 2000, 00:18.40 for 30 seconds (colour, details).

Tom Roberts, Adelaide, 1996, 29 (colour illus.), 200 (illus.).

Tom Roberts, 'The Golden Age', pg. 13-22, Cambridge, 1999, 14 (illus.).

Art is ... making, creating and appreciating 2, Milton, 1999, 219 (colour illus.).

Christie's Australia - Australian and European Paintings, South Yarra, Nov 1998, 58, 61 (colour illus.). NOTE: Related work was titled 'Coogee', lot 54

Author Unknown, The Art Gallery of New South Wales, Sydney, 1996.

Smike to bulldog: letters from Sir Arthur Streeton to Tom Roberts, Sydney, 1946, 9, 10.

Masters of the Heidelberg School, 'Tom Roberts: Father of the Heidelberg School', pg. 5-21, Leichhardt, 1998, front cover (colour illus.), 13. plate no. 1

The Australian Art Exhibition (1932), Sydney, 1932. titled 'Coogee'; cat.no. 66; on loan

Tom Roberts exhibition, National Art Gallery of NSW: souvenir catalogue, Sydney, 1947, 10. cat.no. 9

Tom Roberts, Melbourne, 1978, 48 (colour illus.), 50, 52-54, 148. plate no. 12

Girolamo Pieri Nerli (1863-1926), Melbourne, 1976, 17, 18, (illus.).