oil and charcoal on canvas on hardboard
45.7 x 61.0 cm board; 55.6 x 70.7 x 6.3 cm frame
Signature & date
Signed l.r. corner, purple oil "J P". Not dated.
Signed c. verso on brown paper, pen and black ink "John Passmore".
Not on display
© John Passmore Museum of Art
Shown in 8 exhibitions
Contemporary Australian painting (1957), Auckland Art Gallery Toi o Tamaki, Auckland, Feb 1957–Mar 1957
Maitland Local Centenary Art Exhibition: Paintings by artists from the Hunter Valley Region (1963), Maitland Town Hall, 23 Sep 1963–27 Sep 1963
John Passmore Retrospective (1984-1985):
New Directions 1952-1962, Penrith Regional Gallery & The Lewers Bequest, Emu Plains, 08 Feb 1991–24 Mar 1991
Australian Painters Seeing Cézanne, Art Gallery of New South Wales, Sydney, 28 Nov 1998–17 Jan 1999
Australian icons: twenty artists from the collection, Art Gallery of New South Wales, Sydney, 04 Aug 2000–03 Dec 2000
Flora: still life moving fast, Hazelhurst Regional Gallery and Arts Centre, 06 Dec 2008–01 Feb 2009
Still life, Art Gallery of New South Wales, Sydney, 27 Jul 2013–23 Apr 2014
Referenced in 7 publications
Penelope Curtin and Tansy Curtin, Blooms and brushstrokes: a floral history of Australian art, 'Flowers A-Z: Poppy', pg. 152-155, Mile End, 152, 153-154 (colour illus.), 195.
Paula Dredge, Margaret Sawicki, Steven Miller and Lindsay Parker, S.A. Parker Framing Works, 'Works in the collection with known Parker frames', pg. 27-68, Sydney, 2004, 62 (illus.).
Christine France, New Directions 1952-1962, 'New directions 1952-1962', pg. 7-19, Sydney, 1991, 41. cat.no. 13
Grahame Kime., Flora: still life moving fast, 'Flora still moving fast', Gymea, 2008, (colour illus.). not paginated
Hal Missingham, Contemporary Australian painting, 'Introduction', pg. 5-6, Auckland, 1957, 13. cat.no. 26
Barry Pearce, John Passmore 1904-84, Sydney, 1984, 59 (colour illus.). cat.no. 32
Ursula Prunster (Curator), Australian painters; Seeing Cézanne, Sydney, 1998, 30. cat.no. 26