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Title

Untitled (New York City skyline)

1936

Artist

George James Morris

Australia

1884 – 1959

  • Details

    Date
    1936
    Media category
    Photograph
    Materials used
    bromoil transfer
    Dimensions
    24.8 x 31.3 cm image; 40.7 x 44.1 cm sheet
    Signature & date

    Signed l.r. sheet, pencil "George J. Morris". Not dated.

    Credit
    Gift of Mrs Eleanor Morris 1977
    Location
    Not on display
    Accession number
    89.1977
    Copyright

    Reproduction requests

    Artist information
    George James Morris

    Works in the collection

    21

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  • About

    George Morris was born in Sydney and studied at East Sydney Technical College. He operated an engraving business and in 1920 travelled overseas to further his knowledge of engraving and photo-reproduction processes, visiting England, Germany and America where he spent time at the Eastman Kodak head office. A further overseas trip was made in 1936. In 1925 he became a member of the Sydney Camera Circle and began exhibiting regularly with the circle, as well as with the Photographic Society of New South Wales. He established a commercial studio in the late 1920s and later became a partner in Ramsay Photo Works.

    This photograph of the New York skyline has a cinematic quality, suggestive of Fritz Lang’s 1927 film ‘Metropolis’. Morris exhibited some of his overseas pictures as enormous bromoil transfers (measuring 100 x 60 centimetres), probably the largest ever made in Australia. In ‘Untitled (New York City skyline)’ it is clear that he is concerned with conveying a sense of the scale of New York, that great symbol of modernity and progress. He manages this in a skilful, tonal way. The Empire State Building dissolves into the clouds. Alfred Stieglitz, early exponent and champion of pictorialism in America, had written:
    atmosphere is the medium through which we see all things … Atmosphere softens all lines; it graduates the transition from light to shade; it is essential to the reproduction of the sense of distance. That dimness of outline which is characteristic for distant objects is due to atmosphere. Now, what ‘atmosphere’ is to Nature, tone is to a picture.1

    1. Stieglitz A 1892, ‘A plea for art photography in America’, in Bunnell P C 1980, ‘A photographic vision: pictorial photography 1889–1923’, Peregrine Smith Inc, Salt Lake City p 24

    © Art Gallery of New South Wales Photography Collection Handbook, 2007

  • Exhibition history

    Shown in 1 exhibition

  • Bibliography

    Referenced in 2 publications

Other works by George James Morris

See all 21 works