E Phillips Fox
12 Mar 1865 - 08 Oct 1915
'Art students' was set at the Melbourne Art School in Bourke Street, which E Phillips Fox co-founded with Tudor St George Tucker when Fox returned from Europe in 1892. It was considered a groundbreaking work for its unconventional vertical, cropped composition and its frank naturalism. The
informal poses and paint-splattered smocks of its female students and the messy realism of its littered floor were considered ‘unfeminine’ when the work was first exhibited in Melbourne in 1895.
'Art students' is a vivid demonstration of Fox’s compositional and colouristic skills. Its grand-scale informality also presents an alternative to the heroic ‘national’ and masculine subjects of Australian painting in the 1890s.
oil on canvas
182.9 x 114.3 cm stretcher; 219.0 x 148.0 x 16.0 cm frame; 181.0 x 110.0 cm sight edge
Signature & date
Signed and dated l.l. corner, black oil "E.Phillips Fox / 95".
Not on display
Where the work was made
Shown in 14 exhibitions
Exhibition of Australian art in London (1898), Grafton Galleries, London, 02 Apr 1898–31 Jul 1898
Paris Salon, 1910, Paris Salon, Paris, 1910–1910
Pictures by the late E. Phillips Fox, Athenaeum Gallery, Melbourne, 29 Feb 1916 -
Oil paintings by E. Phillips Fox and Ethel Carrick (1925), Anthony Hordern & Sons, Ltd., Sydney, 01 Oct 1925–15 Oct 1925
100 years of Australian painting (1948), Art Gallery of New South Wales, Sydney, 19 Apr 1948–17 May 1948
E. Phillips Fox Interstate Exhibition, Art Gallery of New South Wales, Sydney, Mar 1949–Apr 1949
Jubilee exhibition of Australian art:
- Tasmanian Museum and Art Gallery, Hobart 12 Mar 1951–31 Mar 1951
- Queen Victoria Museum and Art Gallery, Launceston, Launceston 09 Apr 1951–28 Apr 1951
- Art Gallery of New South Wales, Sydney 25 Jun 1951–21 Jul 1951
- Queensland Art Gallery, South Brisbane 06 Aug 1951–01 Sep 1951
- Art Gallery of South Australia, Adelaide 24 Sep 1951–20 Oct 1951
- Art Gallery of Western Australia, Perth 12 Nov 1951–10 Dec 1951
The Arts Festival of the Olympic Games (1956), National Gallery of Victoria [Swanston Street], Melbourne, 18 Nov 1956–15 Dec 1956
Australian Painting: Colonial, Impressionist, Contemporary (1962-63), National Gallery of South Australia, Adelaide, 17 Mar 1962–31 Mar 1962
Two hundred years of Australian painting : Nature, people and art in the southern continent:
The Art of E. Phillips Fox, National Gallery of Victoria [St Kilda Road], Melbourne, 09 Nov 1994–30 Jan 1995
Parallel Visions: Twenty-two artists from the Australian collection, Art Gallery of New South Wales, Sydney, 22 Feb 2002–May 2003
Art, love and life: Ethel Carrick and E. Phillips Fox, Queensland Art Gallery, South Brisbane, 16 Apr 2011–07 Aug 2011
Australian impressionists in France, Ian Potter Centre: NGV Australia, Melbourne, 15 Jun 2013–06 Oct 2013
Referenced in 33 publications
Art Gallery of New South Wales, Art Gallery of New South Wales picturebook, Sydney, 1972, 83 (colour illus.).
Herbert Badham, A study of Australian art, Sydney, 1949, (illus.). plate no. 23
Herbert Badham, A gallery of Australian art, Sydney, 1954, (illus.). plate no. 16
Ian Burn, National life and landscape - Australian painting 1900-1940, Sydney, 1990, 57.
Jane Clark, Parallel visions: works from the Australian collection, 'Rupert Bunny / E. Phillips Fox', pg. 20-31, Sydney, 2002, 22, 30 (colour illus.), 31, 143, 147.
Anne Gérard, Look, 'Oz arts: our painters in the Parsi Salons', pg. 37-39, Sydney, Dec 2006-Jan 2007, 39.
James Gleeson, Masterpieces of Australian painting, Melbourne, 1969, 86, 87 (colour illus.). plate no. 28
Angela Goddard, Art, love and life: Ethel Carrick and E Phillips Fox, 'An artistic marriage', pg. 17-26, Brisbane, 2011, 17, 18 (colour illus.), 104 (colour illus.), 154.
Sasha Grishin, Australian art: a history, 'Australian expatriates of the Edwardian period in France', pg. 148-159, Carlton, 2013, 152 (colour illus.), 153, 548, 566. plate no. 16.3
Sasha Grishin, Art Monthly Australia, 'Art, love and life: Ethel Carrick and E. Phillips Fox', pg. 80-81, Canberra, Aug 2011, 80 (colour illus.), 81.
Pat Hoffie, Brought to Light: Australian Art 1850–1965 from the Queensland Art Gallery collection, 'Restless Mind, Still Lives. A.M.E. Bale Leisure moments', pg. 84-87, Brisbane, 1998, 86, 87 (illus.).
Bruce James, The Sydney Morning Herald, 'Milking works for a moment in the sun', pg. 13, Sydney, 03 Apr 2002, 13. Review of 'Parallel Visions' exhibition
Bruce James, Art Gallery of New South Wales handbook, 'Australian Collection: Painting and Sculpture', pg. 102-181, Sydney, 1999, 120 (colour illus.).
Barry Pearce and Haruo Arikawa, Two hundred years of Australian painting: nature, people and art in the southern continent, Tokyo, 1992, 107 (colour illus.). cat.no. 56
Ursula Prunster, Australian art: in the Art Gallery of New South Wales, 'Home and abroad', pg. 73-74, Sydney, 2000, 78, 79 (colour illus.), 300.
Andrew Sayers, Australian art, 'What should Australian artists paint? 1885-1900', pg. 79-96, Oxford, 2001, 78 (colour illus., detail), 92 (colour illus.). plate no. 51
Bernard Smith, 100 years of Australian painting, 'Foreword', pg. 2-4, Sydney, 1948, 6. cat.no. 12
Bridget Whitelaw, Golden summers: Heidelberg and beyond, 'Melbourne's answer in the 90s - "Charterisville"', pg. 171-174, Melbourne, 1985, 178, 179 (colour illus.).
Ruth Zubans, Australian art and architecture: essays presented to Bernard Smith, 'Emanuel Phillips Fox: St Ives and the impact of British art, 1890-1892', pg. 134-149, Melbourne, 1980, 142, 144, 248.
Ruth Zubans, Painted women - Australian artists in Europe at the turn of the century, 'Mr and Mrs E Phillips Fox', pg. 15-18, Western Australia, 1998, 15-16.
Bernard William Smith and Terry Smith, Australian painting 1788-1990, 'Leviticus 1913-32', pg. 167-204, South Melbourne, 1991, 148, 169 (colour illus.), 560. cat.no. 96
Victoria Hammond and Juliette Peers, Completing the Picture: Women artists and the Heidelberg era, Hawthorn East, 1992, 20 (illus.).
Aedeen Cremin (Editor), 1901: Australian life at federation: an illustrated chronicle, 'A changing society', pg. 88-103, Sydney, 2001, 92, 93 (colour illus.).
Alex Taylor, Perils of the studio: inside the artistic affairs of bohemian Melbourne, 'Studio visitors', pg. 137-163, North Melbourne, 2007, 140 (colour illus.). figure 128
Laurie Thomas (Editor), Jubilee exhibition of Australian art, Sydney, 1951, 36. cat.no. 79
John McDonald, Art of Australia. Vol 1: Exploration to Federation, 'Individual and national feeling', pg. 545-610, Sydney, 2008, 595 (colour illus.), 596, 606.
Anthony Hordern & Sons, Ltd., Catalogue of an Exhibition of Oil Paintings by the Late E. Phillips Fox and of Ethel Carrick (Mrs. E. Phillips Fox), Sydney, 1925. cat.no. 5; priced 300 guineas
Author Unknown, E. Phillips Fox: address book, Melbourne, 1994, (illus.).
Susan Venn, Roy and Matilda - The Golden Locket, Canterbury, 1994, (colour illus.).
The Adelaide Festival of Arts 1962: Special exhibitions at the National Gallery of South Australia, 'Australian Painting: Colonial, Impressionist, Contemporary', Adelaide, 1962. not paginated, cat.no. 69
Leigh Astbury, Sunlight and shadow: Australian impressionist painters 1880-1900, 'Painters and Places', pg. 6-24 Chapter one, Rushcutters Bay, 1989, 6 (colour illus.), 16 (colour illus.), 17. plate no. 7. The image appears in detail.
Bernard William Smith, Place, taste and tradition: a study of Australian art since 1788, 'Impressionism in Australia', pg. 112-145, South Melbourne, 1979, 139 (illus.), 140. plate no. 50
William Splatt and Barbara Burton, 100 masterpieces of Australian painting, Adelaide, 1973, 82, 83 (colour illus.). plate no. 38