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The camp, Sirius Cove



Tom Roberts

England, Australia

08 Mar 1856 - 14 Sep 1931


This tiny work belatedly records the artists' encampment at Little Sirius Cove, Sydney Harbour, which Tom Roberts and Arthur Streeton shared with others in the early 1880s. The camps became centres for the innovative practice of plein-air painting, which took artists from their studios to work on canvases outdoors.

Roberts depicts his former painting haunt as an idyllic memory, albeit with a photographically sharp focus. It is flawlessly constructed and crisply executed to recall the brightly sunlit scene. Although the artists’ camp is long gone, Roberts’ view of the headland is still recognisable today, close to the present site of Taronga Park Zoo on the Sydney Harbour foreshore.


Place where the work was made

Sydney New South Wales Australia



Media category


Materials used

oil on canvas on paperboard


25.4 x 34.6 cm board; 24.7 x 33.2 cm sight edge; 44.5 x 53.0 x 5.3 cm frame

Signature & date

Signed l.l., red oil "Tom Roberts/ '(illeg)".


Purchased 1940


Not on display

Accession number


Artist information

Tom Roberts

Artist profile

Works in the collection



Where the work was made

Shown in 9 exhibitions

Exhibition history

Referenced in 21 publications


Leigh Astbury, Tom Roberts, 'Masculinity and Modernism', pg. 124, Adelaide, 1996, 146, 147 (colour illus.), 211 (illus.).

Mary Eagle, Australian Impressionism, 'Streeton in the City of Laughing Loveliness', pg. 201-208, Melbourne, 2007, 201, 209 (colour illus.). 1

Anne Grey, Tom Roberts, 'Tom Roberts: La vita con brio', pg. 11-30, Canberra, 2015, 27, 43, 246 (colour illus.), 247, 349. 92

Bruce James, Art Gallery of New South Wales handbook, 'Australian Collection: Painting and Sculpture', pg. 102-181, Sydney, 1999, 124 (colour illus.).

Pat Kreuiter, Look, 'Learning to look at art: Introducing and inspiring art lovers of the future', pg. 12-13, Sydney, Oct 2008, 12 (colour illus.). A group of school children are pictured in front of the painting.

Jennifer Slatyer, Imant Tillers: one world many visions, ‘Biographical notes’, pg. 95-108, Canberra, 2006, 95.

Daniel Thomas, Art Gallery of New South Wales Quarterly, 'Tom Roberts', pg. 466-487, Sydney, Jul 1969, 471 (illus.).

Daniel Thomas., Sydney Harbour, ‘Introduction', Sydney, 1963. 24; incorrectly dated 1893; not paginated

Albie Thoms, Bohemians in the bush: the artists' camps of Mosman, 'The Curlew Camp', pg. 49-69, Sydney, 1991, cover (colour illus.), flyleaf (colour illus.), 59, 79. 68

Vivienne Webb, Australian art: in the Art Gallery of New South Wales, 'Golden Age', pg. 37-72, Sydney, 2000, 38.

Australia's impressionists, 'Catalogue', pg. 64-109, London, 2016, 92 (colour illus.), 116, 124, 127. 28

Tom Roberts exhibition, National Art Gallery of NSW: souvenir catalogue, Sydney, 1947, 10. 7

Bailed up: the story behind the painting, Sydney, 2006, 14-15.

Tom Roberts Art Exhibition. Tom Roberts Festival 2001, Inverell, 2001, 10.

The beach, Australia, 2000, 00:18.11 for 30 seconds (colour, detail).

100 masterpieces of Australian landscape painting, Melbourne, 1986, 132, 133 (colour illus.). plate no. 63

Tom Roberts 1856-1931: a catalogue raisonné. Volume 2 - Plates, Melbourne, 1985. plate no. 31; not paginated

Tom Roberts 1856-1931: a catalogue raisonné. Volume 1 - Text, Melbourne, 1985, 157. 311

The artist's camp; plein air painting in Melbourne 1885-1898, 'The Artist's Camps', pg. 65-143, Melbourne, 1984, 137 (colour illus.). plate no. 179

A treasury of Australian bush painting, 'A Farewell to the Days of the Pioneers', pg. 46-54, Adelaide, 1979, 44 (illus.). plate no. 34

Arthur Streeton, 'Sydney: 1890-1897', pg. 20-31, Melbourne, 1969, 22 (illus.). 9; incorrectly dated 1894.