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Western art

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The Pont Neuf in the snow

late 1920s


Albert Marquet


26 Mar 1875 - 14 Jun 1947


Circumspection and sobriety distinguish Albert Marquet from his fauvist colleagues and his friend Matisse. Unlike the latter, Marquet never felt the lure of exotic locations and subjects, let alone scorching colours. Instead he contented himself with a long series of unexceptional urban views, especially from the windows of his quayside studio in Paris. Of all the multifarious moods of this metropolis, he most savoured the quiet and grey. 'The Pont Neuf in the snow' is a perfect expression of Marquet's gift for painterly understatement. As for his inveterate interest in orderliness, that too is evidenced. Something of the silence, and everything of the chill composure, of a city in wintertime is apparent in this image. Seemingly executed with hardly a second thought or indecisive move, the image is realised in a single unity of tone that is reminiscent of Whistler. In contrast to many of his contemporaries, artists such as Marquet pursued a calmer, more reflective, vision of modernity.

AGNSW Handbook, 1999.


Alternative title

La Pont Neuf sous la neige


late 1920s

Media category


Materials used

oil on canvas


78.2 x 64.7 cm stretcher; 102.5 x 86.5 x 5.7 cm frame

Signature & date

Signed l.l., blue oil "Marquet". Not dated.


Purchased 1939


Not on display

Accession number


Artist information

Albert Marquet

Works in the collection


Shown in 5 exhibitions

Exhibition history

The provenance of this work is under review and records will be updated as new details become available. The Gallery welcomes any information. Contact


David Jones' Art Gallery, Sydney, Sydney/New South Wales/Australia, Purchased by the AGNSW from David Jones Art Gallery 1939. Purchased from 'The Daily Telegraph Exhibition of French and British Modern Art'.

Referenced in 10 publications


Renée Free, AGNSW Collections, 'The Western Heritage, Renaissance to Twentieth Century', pg. 108-172, Sydney, 1994, 143 (colour illus.).

Barry Humphries, Favourites: Margaret Olley and Barry Humphries choose from public and private collections, 'Introduction', pg. 4-5, Sydney, 2000, 4 (colour illus.), 5. Catalogue entry appears in inserted list to printed catalogue: Selections by Barry Humphries

Bruce James, Art Gallery of New South Wales handbook, 'Western Collection: Paintings and Sculpture', pg. 17-77, Sydney, 1999, 59 (colour illus.).

National Art Gallery of New South Wales, National Art Gallery of New South Wales Annual Report 1939, Sydney, 1939, 10 (illus.).

Margaret Olley and Jeffrey Smart, Favourites: Margaret Olley and Jeffrey Smart selections, Sydney, 2002. No catalogue numbers; Jeffrey Smart selection.

Queensland Art Gallery, French art from Australian collections, Brisbane, 1959.

Ross Steele, Art and Australia, 'French Impressions', pg. 87-93, Sydney, Spring 1984, 92 (colour illus.), 93.

Jill Sykes (Editor), Look, 'Battle of the new: Picasso and peers versus the pillars of the Australian art establishment', pg. 14-18, Sydney, Mar 2005, 17 (colour illus.).

Editor Unknown (Editor), The Daily Telegraph exhibition of French and British modern art, Sydney, 1939. 77

An exhibition of French art at the National Art Gallery of N.S.W, Sydney, 1944. cat. no. 143