A study of Jephthah's daughter

Society of Artists Spring Exhibition (1899), Vickery's Chambers, Sydney, Aug 1899 -

Tom Roberts Festival - Portraiture (2006), Inverell Art Gallery, Inverell, 22 Apr 2006–05 May 2006

Australian Symbolism, Art Gallery of New South Wales, Sydney, 04 May 2012–22 Jul 2012

J. G. de Libra, Australasian art review, ‘The poetry of our painting’, pg. 1-12, Sydney, 01 Sep 1899, 8, 12. title incorrectly spelt twice: ‘Study for Jephtha’s Daughter’ (pg. 8) & ‘Study for Jeptha’s Daughter’ (pg. 12).

Alan McCulloch, The golden age of Australian painting: impressionism and the Heidelberg school, 'Australian Impressionist painting', pg. 1-109, Melbourne, 1969, 68, 69 (colour illus.). plate no. 34

Denise Mimocchi, Australian Symbolism: the art of dreams, ‘Dreams of the bohemian idyll: Charles Conder and his impact’, pg. 90-110, Sydney, 2012, 105, 108 (colour illus.), 147.

National Art Gallery of New South Wales, Catalogue of the National Art Gallery of New South Wales 1899, 'Oil Paintings-Australian', Sydney, 1899. titled 'Study for Jepthah's Daughter'; cat.no. 294

Bernard William Smith, A catalogue of Australian oil paintings in the National Art Gallery of New South Wales 1875-1952, Sydney, 1953, 176.

Society of Artists, Society of Artists Spring Exhibition, Sydney, 1899, 8. titled 'Study for Jepthah's Daughter'; cat.no. 116; priced £52.10.0

Virginia Spate, Tom Roberts, ‘New South Wales: the later outback paintings and symbolist works’, pg. 92-103, Melbourne, 1978, 99, 100 (illus.), 101, 149. illus.no. 30

Daniel Thomas, Art Gallery of New South Wales Quarterly, 'Tom Roberts', pg. 466-487, Sydney, Jul 1969, 478, 479 (illus.).

Helen Topliss, Tom Roberts 1856-1931: a catalogue raisonné. Volume 1 - Text, Melbourne, 1985, 159, 160. cat.no. 320

Helen Topliss, Tom Roberts 1856-1931: a catalogue raisonné. Volume 2 - Plates, Melbourne, 1985, (illus.). plate no. 143