- Place where the work was made
- Cultural origin
- Bardi, Kimberley region
- Media category
- Materials used
- acrylic on plywood, cotton wool
a - Ilma 1, 58.5 x 59 cm, (irreg.)
b - Ilma 2, 58 x 57 cm, (irreg.)
- Signature & date
Not signed. Not dated.
- Mollie Gowing Acquisition fund for Contemporary Aboriginal art 2018
- Not on display
- Accession number
- © Estate of Roy Wiggan
- Artist information
Works in the collection
Ilma describe both the object and the ceremony performed by Bardi people. Roy Wiggan received the stories embedded in his Ilma’s from his father, after his passing, through a series of dreams. Wiggan’s Ilma predominately revolve around life at sea experienced by his father, Henry Wiggan, a Bardi man of the Kimberly region who skippered the Sunday Island Mission lugger. His adventures and misadventures in the Indian Ocean inform the Ilma that are used as dance apparel in the ceremonies associated with the stories, as well as being works of art. The Bardi seafaring peoples’ homeland includes one of nature’s phenomenon, the Buccaneer Archipelago, a marine environment abundant in treacherous tides, rips, whirlpools and overfalls of which, a number of Wiggan’s works reference. The stories that were given to him aid in understanding the landscape and Bardi Ngarrangkarni (lore and culture passed down from the ancestors).
The art centre documentation for this work states:
'This set of 2 ilma represent a hair belt, this is part of a story about Little Wiggan (Roys father) who was washed up on a sandbar off Cape Leveque in Western Australia, he trod on the hair belt it was a sign. The song for this says "I'm treading on the sand bar, the wind is getting stronger from the west it is thundering underneath"
Shown in 1 exhibition
21st Biennale of Sydney, Art Gallery of New South Wales, Sydney, 16 Mar 2018–11 Jun 2018
Other works by Roy Wiggan
See more works