Throughout Borneo carved wooden masks are used for rituals to ensure fertility and success, and to ward off malevolent spirits and forces of the supernatural world. The Apo Kayan Dayak groups of East Kalimantan, including the Kenyah, Kayan, Busang, Modang, Long Glat and Bahau, are renowned for their elaborate, theatrical representations of gods, spirits and ancestors to ensure bountiful yields at the time of rice planting and harvest. While some masks are worn to channel rice deities and spirits, others are used to entertain and frighten members of the community. This stylised depiction of a jester-like figure or spirit would have once had large wing-like ears affixed to its face, a distinctive feature of ‘hudoq’ masks. Apo Kayan Dayak use of art motifs is determined according to a rigid class structure with some imagery, such as human faces, confined to the aristocracy.
19th century-20th century
wood, pigment, paint
23.0 x 14.0 x 8.5 cm
Christopher Worrall Wilson Bequest 2010
Not on display
Shown in 1 exhibition
Glorious, Art Gallery of New South Wales, Sydney, 27 May 2017–06 Jan 2019
Christopher Wilson, pre 1989-1996, Sydney/New South Wales/Australia, purchased in Indonesia.
Mariann Ford, 1996-Dec 2010, Sydney/New South Wales/Australia, inherited from the estate of Christopher Wilson. Gift to the Art Gallery of New South Wales as part of the Christopher Worrall Wilson Bequest 2010.
Referenced in 1 publication
Niki van den Heuvel, Ancestral art of the Indonesian archipelago, Sydney, 2017, 33 (colour illus.).