Among the Atoni of Timor, the actions of warriors and headhunters were subject to a ritualised cult of warfare governed by ‘le’u musu’, a sacred force essential to success in battle and the spiritual welfare of the entire community. Strict taboos, divination ceremonies and talismanic blessings were all believed to render warriors invulnerable to their enemies. Infused with ‘le’u musu’ prior to battle, a warrior’s regalia of fine textiles, adornments and weapons expressed the wearer’s courage and glory. It also represented male and female duality.Although tapestry-woven headcloths (‘ilaf’ ) and elaborate pronged headdresses were the prerogative of initiated warriors (‘meo’), these items and other garments were also worn ceremonially by women upon the death of their father, and following childbirth. Woven with protective motifs, the ‘ilaf’ was worn wrapped around the head with the fringes framing the face, its striking colour denoting courage and victory.
Pilu Salif, Meo regalia (headhunter’s apron)
Head ornament (ilaf) for a ritual leader (meo)
early 20th century
cotton, natural dyes, glass beads, seeds; tapestry weave, twining, supplementary weft wrapping
72.5 x 27.0 x 0.3 cm
Christopher Worrall Wilson Bequest 2010
Not on display
Shown in 1 exhibition
Glorious, Art Gallery of New South Wales, Sydney, 27 May 2017–06 Jan 2019
Nomadic Rug Traders, pre 2004, Sydney/New South Wales/Australia, purchased in Bali, Indonesia.
Mariann Ford, 2004-Dec 2010, Sydney/New South Wales/Australia, purchased from Nomadic Rug Traders (art dealership). Gift to the Art Gallery of New South Wales as part of the Christopher Worrall Wilson Bequest 2010.
Referenced in 1 publication
Niki van den Heuvel, Ancestral art of the Indonesian archipelago, Sydney, 2017, 57 (colour illus.).