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Title

Amulet or receptacle for gunpowder

19th century-20th century

Artists

Unknown Artist

Alternate image of Amulet or receptacle for gunpowder by
Alternate image of Amulet or receptacle for gunpowder by
Alternate image of Amulet or receptacle for gunpowder by
  • Details

    Other Title
    Gunpowder container
    Place where the work was made
    Central Timor West Timor East Nusa Tenggara Lesser Sunda Islands Indonesia
    Date
    19th century-20th century
    Media category
    Arms & armour
    Materials used
    dugong tooth, wood, shell, beads, natural fibres
    Dimensions
    45.0 x 4.0 x 3.0 cm
    Credit
    Christopher Worrall Wilson Bequest 2010
    Location
    Not on display
    Accession number
    554.2010
    Copyright

    Reproduction requests

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  • About

    Amulets and adornments comprising valuable materials such as precious metal, beads, split cowrie shells and ivory, like this gunpowder receptacle, were highly prized by Timorese warriors and headhunters. These accoutrements were stored along with weapons and clothing of meo warriors within a clan’s sacred cult house. Prior to battles and headhunting raids, the objects were imbued with protective blessings before being distributed to the warriors. Attached to a small waist bag, this container may have allowed the warrior a single but advantageous shot with a musket. Firearms are believed to have been introduced to Timor from the mid-1600s by the Topasses, Portuguese who had intermarried with native inhabitants on the neighbouring islands of Solor and Eastern Flores. The Topasses established powerful alliances with local groups on Timor in exchange for diverting the sandalwood trade to the island’s northern coast, and by the mid 1700s they controlled much of Central Timor.

  • Exhibition history

    Shown in 1 exhibition

    • Glorious, Art Gallery of New South Wales, Sydney, 27 May 2017–06 Jan 2019

  • Bibliography

    Referenced in 2 publications

  • Provenance

    Christopher Wilson, pre Nov 1986-1996, Sydney/New South Wales/Australia, probably purchased in West Timor, Indonesia mid 1980s. Appears in 'Southeast Asian tribal art', an unpublished text by Christopher Wilson, College of Fine Arts, Sydney, November 1986.

    Mariann Ford, 1996-2010, Sydney/New South Wales/Australia, inherited from the estate of Christopher Wilson. Gift to the Art Gallery of New South Wales as part of the Christopher Worrall Wilson Bequest 2010.