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Miller's Point

(circa 1952)


John Passmore


04 Feb 1904 – 09 Oct 1984

  • Details

    (circa 1952)
    Media category
    Materials used
    oil on hardboard
    44.5 x 59.5 cm board; 54.0 x 64.0 cm sight; 71.8 x 81.8 x 2.8 cm frame
    Signature & date

    Signed and dated l.r. corner, blue oil "J PASSMORE 5[1?]".

    Anonymous gift 1987
    Not on display
    Accession number
    © John Passmore Museum of Art

    Reproduction requests

    Artist information
    John Passmore

    Works in the collection


  • About

    Passmore had an extraordinary impact on the development of art in Sydney following his return from Europe in 1951. At the Julian Ashton Art School he taught John Olsen and William Rose among others.

    His art at this time closely identified with the city and its spectacular harbour. He painted directly from the motif from his studio in the school, located above the Mining Museum in George Street, and which afforded views of the Harbour across Miller's Point. Works painted at this time tended towards an analysis of the effects of atmosphere, capturing the mass of cloud, water and trees and exemplifying his skillful sense of tone in colour and masterly handling of paint.

    Censuring superficial comparison made between Passmore and Cézanne, Robert Hughes, commenting upon another work depicting the same motif, 'Miller's Point, Morning', also in the Gallery's collection, wrote in 1966:
    "'Miller's Point, Morning' does not give us a world of structure, nor do we feel that we are looking at the harbour from a fixed point. The landscape is seen, as it were, from the centre. There is nothing soft or indecisive about the play of its forms. Yet they do not add up to a cumulative structure. They confront us with a world of subtly differing resistances."

    Australian Art Department, AGNSW, 2000

  • Exhibition history

    Shown in 3 exhibitions

  • Bibliography

    Referenced in 1 publication

Other works by John Passmore

See all 36 works