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Title

Sword (mandau) with scabbard

19th century-20th century

Artists

Unknown Artist

Alternate image of Sword (mandau) with scabbard by
Alternate image of Sword (mandau) with scabbard by
  • Details

    Place where the work was made
    Kalimantan Borneo Indonesia
    Cultural origin
    Apo Kayan
    Date
    19th century-20th century
    Media category
    Arms & armour
    Materials used
    bone, iron, wood and rattan
    Dimensions
    59.0 x 7.5 x 3.0 cm :

    a - sword, 51.5 x 7.5 x 2.5 cm

    b - scabbard, 46 x 5 x 3 cm

    Credit
    Christopher Worrall Wilson Bequest 2010
    Location
    Not on display
    Accession number
    540.2010.a-b
    Copyright

    Reproduction requests

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  • About

    Until the late 1800s and early 1900s, warfare and headhunting were considered vital activities to the success of many Bornean tribal groups. While warfare was associated with the expansion and protection of territories and assets, the taking of enemy heads was an intrinsically ritual act intended to harness the power of the human soul. This sacrificial undertaking was important for the initiation of male warriors, to ensure fertility and renewal, and for the appeasement of malevolent spirits inflicting harm upon communities. Once considered an essential weapon and symbol of a successful warrior, the ‘mandau’ swords or ‘parang ilang’ manufactured by the Apo Kayan groups of the upper Mahakam region are now considered prestige items and feature prominently in ceremonies and festivals. The examples here combine expertly forged blades with elaborate bone hilts carved with sinuous designs of openwork spirals, foliate forms and protective creatures. They are often further embellished with tufts of human and animal hair as well as precious gems or coins. The ‘mandau’ swords are paired with sheaths ornamented with carvings and braided rattan.

  • Exhibition history

    Shown in 1 exhibition

    • Glorious, Art Gallery of New South Wales, Sydney, 27 May 2017–06 Jan 2019

  • Bibliography

    Referenced in 2 publications

  • Provenance

    Christopher Wilson, pre Nov 1986-1996, Sydney/New South Wales/Australia, probably purchased in Sarawak, Malaysia mid 1970s or1985. Appears in 'Southeast Asian tribal art', an unpublished text by Christopher Wilson, College of Fine Arts, Sydney, November 1986.

    Mariann Ford, 1996-Dec 2010, Sydney/New South Wales/Australia, inherited from the estate of Christopher Wilson. Gift to the Art Gallery of New South Wales as part of the Christopher Worrall Wilson Bequest 2010.