We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands.

🛈 Find out what you need to know before visiting





Johnstone O’Shannessy & Co


active Australia 1865–1915 –

  • Details

    Media category
    Materials used
    carte de visite
    9.6 x 6.0 cm image; 10.5 x 6.4 cm mount card
    Signature & date

    Not signed. Not dated.

    Purchased 2014
    Not on display
    Accession number

    Reproduction requests

    Artist information
    Unknown photographer

    Works in the collection


    Artist information
    Johnstone O’Shannessy & Co

    Works in the collection


  • About

    Johnstone, O’Shannessy & Co was a leading Melbourne photographic firm established by Henry James Johnstone and Emily Florence Kate O’Shaugnessy (spelt O’Shannessy in the firm’s stamp). Charismatic and flamboyant Johnstone took outdoor photographs and portraits of male notables, while O’Shaugnessy, who had previously operated her own studio, photographed female sitters and supplied the darkroom expertise, colouring and developing the negatives. The firm received a medal at the 1866 Melbourne Intercolonial Exhibition for their coloured, plain and ‘mezzotint’ photographic portraits. They also exhibited photographs on porcelain coloured in oil and watercolour at the Philadelphia Centennial Exhibition in 1875. At the 1888 Melbourne Centennial International Exhibition, the firm installed a special pavilion for the display of photographs in all processes, lavishly decorated with satin-covered walls and a miniature fountain.

    A carte de visite is a stiff card of about 10 x 6.4 cm, with an attached paper photograph, invented in 1854 by André-Adolphe-Eugène Disderi. They were introduced into Australia in 1859 by William Blackwood with albums arriving in 1860, aiding the collection and distribution of multiple cartes. Cartes were usually portraits and were made by the millions worldwide. Multi-lens, or ‘multiplying’ cameras were introduced in the 1860s, which were capable of producing from 2 to 32 images in quick succession, dramatically increasing the number of cartes de visite that could be made from a single photographic plate. They were easily reproduced by making paper contact prints from the glass plates, which were then cut and pasted to card.

  • Exhibition history

    Shown in 1 exhibition

Other works by Unknown photographer

See all 189 works