- Alternative title
- Kiokusareta mado - II
- Place where the work was made
- Heisei period 1989 - → Japan
- Media category
- Materials used
- etching and aquatint
- 45.5 x 60.0 cm image;57.0 x 70.0 cm sheet
- Signature & date
Signed and dated l.r., pencil "Toda Toshiro '90".
- Gift of the artist 1993
- Not on display
- Accession number
- Artist information
Works in the collection
The theme of windows and walls has fascinated Toda for some time. Windows link the outside and the inside; they are the conduits to dreams and fantasy. However the window is defined by the two worlds on either side of it: darkness on both sides silences the window's existence.
In this print, the glowing light beyond the window and the concreteness of the wall to the right, create a metaphor for Zen enlightenment. According to Zen teaching, Bodhidharma, the Indian prince who brought the doctrine of Chan (or Zen) Buddhism to China in the early sixth century and who is revered as the First Patriarch of Zen, attained his enlightenment after nine years of implacable wall gazing. In Chan texts 'wall gazing' became a metaphor for the inexplicable suddenness of enlightenment. Toda evokes this association through the quietude and mysticism of his image.
Toda now lives in Tokyo. He was born in Aichi Prefecture and educated at the Musashino Art University and the Sokei Academy of Fine Arts. He lived in France for a while and this experience deeply affected his own work.
Jackie Menzies, Contemporary Japanese Prints: The Urban Bonsai, 1992, pg. 93.
Where the work was made
Shown in 1 exhibition
The Urban Bonsai:
- Queensland Art Gallery, South Brisbane 04 Mar 1992–04 May 1992
- National Art Gallery, Wellington, Wellington 20 Jun 1992–09 Aug 1992
- Christchurch Art Gallery, Christchurch 12 Sep 1992–29 Oct 1992
- Manawatu Art Gallery, New Zealand 13 Nov 1992–10 Jan 1993
- The George Adams Gallery, Victorian Arts Centre, Melbourne 18 Mar 1993–25 Apr 1993
- Art Gallery of New South Wales, Sydney 08 May 1993–01 Aug 1993
- Penrith Regional Gallery & The Lewers Bequest, Emu Plains 11 Mar 1994–24 Apr 1994
- Drill Hall Gallery, Australian National University, Canberra 19 May 1994–19 Jun 1994
- Campbelltown Arts Centre, Campbelltown 15 Jul 1994–21 Aug 1994
- Moree Plains Gallery, Moree 11 Nov 1994–24 Dec 1994
- Tweed Regional Gallery & Margaret Olley Art Centre, Murwillumbah 01 Feb 1995–05 Mar 1995
Referenced in 1 publication
Jackie Menzies, Contemporary Japanese Prints : The Urban Bonsai, Sydney, 1992, 93, 104 (colour illus.). cat.no. 64