- late 1980s
- Media category
- Materials used
- natural earth pigments and acrylic binder on wood
- 260.0 x 8.0 x 8.0 cm
- Signature & date
Not signed. Not dated.
- Gift of Christopher Hodges and Helen Eager 2005
- Not on display
- Accession number
- © Paddy Fordham Wainburranga. Licensed by Copyright Agency
- Artist information
Paddy Fordham Wainburranga
Works in the collection
Paddy Fordham Wainburranga is a Rembarrnga painter, sculptor, printmaker and dancer. Born in central Arnhem Land, he began painting for the art market in 1983 and has painted subject matter encompassing not only his ancestral stories but also works focussed on the political and social changes that he has experienced during his life.
Wainburranga's practice of sculpting spirit figures developed from his involvement with the Aboriginal Memorial of 1988. This installation of 200 hollow log coffins represents 200 years of dispossession and genocidal policies in regard to Aboriginal people and is on permanent display at the NGA. Wainburranga contributed twenty-three painted hollow-log coffins to this project. Subsequently the carving of Balangjangalan Spirits has become an important element in his artistic practice.
Documentation states: The Balangjangalan Spirit is an ancestral spirit that has helped with the creation of Paddy's country. The symbols on these figures represent ancestral events that occurred during the creation of his country. The events have been recreated with drawing on these figures. They are also seen in his bark paintings and on his hollow log coffins, such as those at the National Gallery of Australia.
© Australian Art Department, Art Gallery of New South Wales, 2005
Referenced in 1 publication
Hetti Perkins and Margie West, One sun one moon: Aboriginal art in Australia, Sydney, 2007, 12 (colour illus.).
Other works by Paddy Fordham Wainburranga
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