'This time tomorrow: Tempelhof' belongs to an ongoing series of performances-for-video produced by Brincat since 2009, which show the artist marking out paths through different environments, from a lush empty field to a chaotic urban expressway. These simple propositions, performed with pragmatism, hark back to the instructional scores and minimal movement language of the sixties interdisciplinary avant-garde. Walking is framed as both an expanded act of drawing and as psychosocial mapping, which always culminates with Brincat's disappearance beyond the limits of the camera's view.
'This time tomorrow' documents Brincat walking in a straight line down an airport tarmac, a gesture that plays the limits of the body against those of technology. Her pace and scale are in stark contrast to the vastness of the tarmac and the speed evoked by the skid marks that surround her. Although the action is highly reduced, the title of the work introduces an emotional dimension, alluding to the longing produced by homesickness and the alienating effects of distance, even in an era when the globe can be traversed overnight.
single channel digital video, colour, silent, plywood
AP1 of 3 + 2 AP
duration: 00:05:20 min, aspect ratio: 16:9
Signature & date
Signed l.c. certificate of authenticity, black fibre-tipped pen "L. Brincat.". Not dated.
Gift of the artist 2016. Donated through the Australian Government's Cultural Gifts Program
Not on display
© Lauren Brincat
Shown in 3 exhibitions
Nothing like performance, Artspace, Woolloomooloo, 25 Nov 2011–22 Dec 2011
LANDSEASKY: revisiting spatiality in video art:
- Gallery Skape, Seoul 22 Feb 2014–23 Mar 2014
- Gallery IHN, Seoul 22 Feb 2014–23 Mar 2014
- Opsis Art, Seoul 22 Feb 2014–23 Mar 2014
- One and J. Gallery, Seoul 22 Feb 2014–23 Mar 2014
- Lee Hwaik Gallery, Seoul 22 Feb 2014–23 Mar 2014
- Artsonje Center, Seoul 22 Feb 2014–23 Mar 2014
- OCT Contemporary Art Terminal, Shanghai, Shanghai 20 Apr 2014–22 Jun 2014
- National Art School, Darlinghurst 21 Aug 2014–11 Oct 2014
- Griffith University Art Museum, Brisbane 01 Oct 2014–13 Nov 2014
Terminal, City Gallery Wellington, Wellington, 13 Aug 2020–14 Feb 2021
Referenced in 4 publications
Blair French., Column 10, 'There is nothing like performance. Everything is like performance.', Sydney, 2012, 70, 119 (colour illus.).
Beatrice Gralton, The Guide. 20'th Biennale of Sydney: The future is already here- it's just not evenly distributed, 'Lauren Brincat', pg. 242-243, Sydney, 2016, 242 (colour illus., video still), 243. exhibition program
Kim Machan, LANDSEASKY: revisiting spatiality in video art, 'Introduction', pg. 9-13, Brisbane, 2015, 11, 62-63 (colour illus.). <https://issuu.com/media_art_asia_pacific/docs/lss_cat_issu_lowres/1?e=6147289/35565764/>
Stephanie Rosenthal (Editor), 20th Biennale of Sydney: The future is already here - it's just not evenly distributed, Australia, 2016, 310 (colour illus., video still). exhibition catalogue