We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands.

🛈 In line with NSW Health advice, the Art Gallery is temporarily closed to the public. Stay updated on our social media.

Title

Covered box with design of poppies

18th century

Artist

  • Details

    Other Title
    Covered box (decorated with poppies)
    Place where the work was made
    Japan
    Period
    Edo (Tokugawa) period 1615 - 1868 → Japan
    Date
    18th century
    Media category
    Lacquerware
    Materials used
    maki-e lacquer on wood
    Dimensions
    13.6 x 22.7 x 14.6 cm :

    a - cover, 3.5 x 22.7 x 14.6 cm

    b - box, 12.1 x 22.7 x 14.6 cm

    Signature & date

    Not signed. Not dated.

    Credit
    Purchased 1988
    Location
    Not on display
    Accession number
    363.1988.a-b
    Copyright

    Reproduction requests

    Artist information
    Kōdai-ji style maki-e lacquer

    Works in the collection

    1

    Share
  • About

    In Edo period Japan, fine lacquer was a symbol of status, prosperity, and discerning taste. Accordingly, the variety of subjects, draughtsmanship and compositional ingenuity of lacquer designs is often superior to that found on the more conventional painting formats. Of the various styles of lacquer - some imported, some native - popular in the Edo period, the most pictorial and Japanese in sensibility was the Kodai-ji style named after a Kyoto temple. This box, most likely a stationery box for writing paper, is a superb example of the Kodai-ji style. Characteristically, the black background provides a dramatic backdrop to a skilful design that artfully defies the shape of the box. The subject of poppies ('keshi') which bloom in May, is an unusual one for a lacquer because Kodai-ji artists evinced a preference for chrysanthemums and the seven flowers of autumn. In the typical Kodai-ji style, both the blossoms and leaves of the poppies incorporate the 'e-nashi ji' lacquer technique in which small irregular gold flakes are sprinkled in several layers in an orange-toned lacquer medium and then polished to resemble a "pear's skin". The subtleties of the deep, rich colouring, together with the masterful composition, make this box an excellent example of the refined sumptuousness favoured by the discerning and wealthy patrons of Edo.

    'Asian Art', AGNSW Collections, 1994, pg. 218.

  • Places

    Where the work was made

    Japan

  • Bibliography

    Referenced in 3 publications