The Gandharan school of Buddhist sculpture was one of the very first that articulated the sculptural image of the Buddha, and hence it is important in a consideration of Buddhist sculpture, as well as Buddhism. This double-sided sculpture features the historical Buddha Shakyamuni on one side and the Future Buddha Maitreya on the other. Shakyamuni can be identified by the 'cranial bump' or 'ushnisha', the elongated earlobes and the rippling monk's robe which covers both shoulders. Maitreya, by contrast, wears the garb of royalty and is depicted as a 'bodhisattva' (a compassionate being who has deferred his or her own Enlightenment in order to help others), with a moustache, distinctive looped hairdo, elegant robes, jewellery and sandals. He carries a waterpot which is a distinguishing attribute of his deity. A two sided sculpture like this, originally probably part of a pillar or similar supporting structure is rare. No other examples are known.
Asian Art Department, AGNSW, October 2003.
2nd century-3rd century
51.0 x 17.0 x 15.0 cm
Signature & date
Not signed. Not dated.
Not on display
The provenance of this work is under review and records will be updated as new details become available. The Gallery welcomes any information. Contact firstname.lastname@example.org
Danny Biancardi, 1998-2003, Sydney/New South Wales/Australia
Private Collection, 1998-2003, on loan to the Art Gallery of New South Wales since November 1996
Referenced in 1 publication
Jackie Menzies, Look, 'Evolution and enlightenment', pg. 30- 32., Sydney, Jun 2015, 31 (colour illus.).