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Title

Light Throw (Mirrors) #1

2009
printed 2011

Artist

Jacky Redgate

England, Australia

1955 -

  • Details

    Dates
    2009
    printed 2011
    Media category
    Photograph
    Materials used
    type C photograph
    Edition
    1/3 + AP
    Dimensions
    126.0 x158.0 cm image/sheet
    Signature & date

    Signed and dated l.c. verso, black fibre-tipped pen "Jacky Redgate... (2009)...".

    Credit
    Purchased with funds provided by the Photography Collection Benefactors' Program 2011
    Location
    Not on display
    Accession number
    332.2011
    Copyright
    © Jacky Redgate

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    Artist information
    Jacky Redgate

    Works in the collection

    15

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  • About

    The conceptual and thematic concerns of Jacky Redgate’s multifaceted practice have evolved with remarkable consistency over the past three decades. At the centre of Redgate’s interests is the investigation of the material world and the way we ascribe meaning and significance to its forms. As writer Jena Woodburn noted, ‘ours is a world in which space and the objects in it are rendered simultaneously fixed and knowable… In such a world matter is stable, but for Redgate it is not.’1

    ‘Light throw (mirrors) #1’ 2009 evolved from the series ‘STRAIGHTCUT’ 2001-2006, two of which are in the collection of the Gallery. But if light was used in previous series in order to separate the formal qualities of the objects from their functions, light itself becomes the focus of this new work. The resulting image is achieved purely through physical means – a contraption of objects attached to mirrors reflecting flashes of light – captured and printed via analog photographic formats. The employment of mirrors is taken to a new level of complexity in ‘Light throw (mirrors) #1’, where perception is stretched to the limit. Space is compressed, creating a void that is both claustrophobic and infinite.

    References to the history of modernism abound in Redgate’s work and the series ‘Light throw(mirrors)’ is no exception. It looks back at geometric abstraction and in particular, the reflective metallic paintings of Ralph Balson from 1941.2 Here however, the challenge is to define what the photographed subject is. Are these reflections, pieces of mirror, or light itself? The ingeniously simple combination of these elements defies our impulse to classify and label, creating a phenomenological ripple as a result., ‘Light throw (mirrors) #1’ like much of Redgate’s work ‘emphasises the sensation of her imagery… to tease out an uncharacteristic palpability from her subjects, so that they emerge larger in the mind than in life’. 3

    1.) Jena Woodburn, ‘Jacky Redgate’, ‘Eyeline’, no 56, 2004, pp 24-27
    2.) See Ann Stephen, ‘Jacky Redgate. Light throw (mirrors)’, exhibition essay, William Wright//Artists, Sydney, 2011, pp 2-3
    3.) Michael Desmond, ‘Jacky Redgate 1980-2003’, CASCA, Adelaide p 34

  • Exhibition history

    Shown in 2 exhibitions

  • Bibliography

    Referenced in 2 publications

    • Vigen Galstyan, Look, 'The logic of vision', pg.22-3, Sydney, May 2012, 22, 23 (colour illus.).

    • Ann Stephen, Keith Broadfoot and Andrew McNamara, Mirror mirror: then and now, Fortitude Valley, 2010, 64.

Other works by Jacky Redgate

See more works