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Fred Coventry

New Zealand, Australia

1905 – 1997

  • Details

    Place where the work was made
    Potts Point Sydney New South Wales Australia
    Media category
    Materials used
    copper engraving, printed in black ink on cream laid paper
    1st proof before edition
    20.2 x 14.3 cm plate mark; 28.1 x 21.8 cm sheet
    Signature & date

    Signed and dated l.r. beneath platemark, pencil "FHCoventry. 6.29".

    Bequest of Megan Machin neé Sharpe 1998
    Not on display
    Accession number
    © the estate of Fred Coventry

    Reproduction requests

    Artist information
    Fred Coventry

    Works in the collection


  • About

    Fred Coventry was born in New Zealand and studied in Sydney between 1926–29 at the Julian Ashton School before emigrating
    to England. He was a friend of William Dobell – they shared a flat for a time in London – and the Gallery has a portrait of Coventry
    painted by Dobell around 1932 in the collection.

    Coventry produced a number of engravings shortly after he arrived in England in 1929, where engraving in metal was experiencing a small revival, and entered at least two of them for a travelling scholarship, the Prix de Rome, which had a category for engravers. The bold, spare linearity of Coventry’s engravings emphasise the modernity of his subjects and reveal his interest in modern design and subject matter, especially buildings under construction or demolition, and figure studies. He lost his engraved plates in the London Blitz of 1940.

    Carinthia is a nine-story apartment building in Springfield Avenue, Kings Cross, built in 1926. Coventry drew the subject, which he described in a letter to the National Gallery of Australia as … ‘a view of Darlinghurst, Sydney’, in 1928 and made the engraving in London the following year. The dense urban
    conglomeration of Kings Cross clearly appealed to him, with the modern apartment building rising from a sea of terrace houses,
    counterpointed by the spiky succulents growing in the foreground that place the subject very firmly in the warm Sydney climate.

    from Anne Ryan, 'Australian etchings and engravings 1880s–1930s from the Gallery's collection', AGNSW, Sydney 2007

  • Places

    Where the work was made

    Potts Point

  • Exhibition history

    Shown in 1 exhibition

    • Sydney Moderns, Art Gallery of New South Wales, Sydney, 06 Jul 2013–07 Oct 2013

  • Bibliography

    Referenced in 2 publications

Other works by Fred Coventry

See all 18 works