Qazvin blue, from the Persian series
29 Oct 1933 - 05 Mar 2017
Sydney Ball is among the most significant senior Australian artists working today whose influence on a generation of younger abstract painters is widely acknowledged. His work has displayed the sustained influence of developments in American post-war painting, from the early 1960s to the present.
Ball’s early studies and influences in Adelaide were challenged by his exposure to American Abstract Expressionist painting in New York, where he lived from 1963-65 and 1969-71. He studied lithography with Harry Sternberg (American, 1904-2001) and painting with Abstract expressionist Theodoros Stamos (1922-97) at the Art Students League, New York. His American experiences had a profound influence on his work; he was a significant inclusion in the landmark National Gallery of Victoria exhibition of Australian abstraction 'The Field' in 1968, and had a powerful influence on a generation of younger painters who shared his interest in Greenberg-ian abstraction. Ball studied printmaking in Adelaide and America, and it has been a recurring feature of his work, influencing and being influenced in turn by his painting.
colour screenprint on white paper
61.3 x 81.4 cm image
Signature & date
Signed and dated l.r., pencil "SYDNEY BALL '68".
Gift of the artist 2011
Not on display
© Sydney Ball. Courtesy of the artist and Sullivan+Strumpf, Sydney
Shown in 1 exhibition
Sydney Ball: A jubilant light (1989), Wollongong Art Gallery, Wollongong, 02 Jun 1989–16 Jul 1989
Referenced in 1 publication
Victoria Lynn, Sydney Ball: a jubilant light, 'Introduction', pg. 4-6, Wollongong, 1989, pg. 5, 13..