- Place where the work was made
- Cultural origin
- Western Arrernte
- Media category
- Materials used
- watercolour on white wove paper on board
- 26.0 x 35.9 cm image (irreg.); 28.0 x 38.0 cm sheet
- Signature & date
Signed l.r.corner recto, black watercolour "LENIE NAMATJIRA". Not dated.
- Purchased with funds provided by the Aboriginal Collection Benefactors Group 2012
- Not on display
- Accession number
- © Lennie Namatjira, courtesy Ngurratjuta Iltja Ntjarra Many Hands Art Centre
- Artist information
Works in the collection
Lenie Namatjira continued the legacy of the renowned watercolourist, Albert Namatjira. Lenie is the daughter of Oscar Namatjira, Albert’s son, and refined the techniques passed down to her to produce delicate watercolours of her beloved country west of Ntaria (Hermannsburg).
Lenie Namatjira grew up at Hermannsburg and was taught to paint by her father, Oscar Namatjira. Oscar had learnt to paint from his father, spending a great deal of time with him while he was working. Indeed for a period of about 12 months Oscar was Albert’s ‘driver’, taking Namatjira and his supplies to different painting locations and acquiring the skills to become an accomplished artist in his own right.
Namatjira’s earlier works are distinguished by the use of subtle variations of colour to create perspective and shadow, as well as soft fields of colour that gently merge to add depth and distance, resulting in calm, composed scenes that reflect the nostalgia of memory. ‘Gosse Bluff, Tnorala, NT’ 2011 marks a shift in her practice as she eliminates the fine detail and subtle, realistic use of colour to create depth and definition. This results in a graphic quality that may be the influence of Ivy Pareroultja with whom Namatjira works closely.
Tnorala is of great significance to Western Arrernte people and is a registered sacred site. It was formed when a group of women danced across the sky as the Milky Way. While dancing a mother put her baby to the side in a carrier, which fell over the edge of the dancing ground, falling to earth and forming the circular stone of Tnorala. In 1872 the explorer Ernest Giles named the crater Gosse’s Range, after H. Gosse, a fellow of the Royal Society.
Where the work was made
Shown in 1 exhibition
The hills beyond Hermannsburg, Art Gallery of New South Wales, Sydney, 22 Mar 2014–02 Jun 2014