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Broken Dance (Beatboxed)



Shaun Gladwell


1972 –

Alternate image of Broken Dance (Beatboxed) by Shaun Gladwell
Alternate image of Broken Dance (Beatboxed) by Shaun Gladwell
Alternate image of Broken Dance (Beatboxed) by Shaun Gladwell
Alternate image of Broken Dance (Beatboxed) by Shaun Gladwell
Alternate image of Broken Dance (Beatboxed) by Shaun Gladwell
  • Details

    Place where the work was made
    London England
    Media categories
    Time-based art , Installation
    Materials used
    dual channel digital video, colour, sound
    Edition no.1, from an edition of 3 + 1 AP
    duration: 01:25:41 hr, aspect ratio: 16:9
    Signature & date

    Signed l.c. certificate of authenticity, black fibre-tipped pen "Shaun Gladwell". Not dated.

    Purchased with funds provided by Andrew Cameron 2012
    Not on display
    Accession number
    © Shaun Gladwell

    Reproduction requests

    Artist information
    Shaun Gladwell

    Works in the collection


  • About

    Shaun Gladwell is renowned for his mesmerising studies of the body in motion, set against the backdrop of gritty urban environments or remote landscapes. The dual-channel video installation 'Broken Dance (Beatboxed)' continues his engagement with the nexus between embodied expression and urban sub-cultures. One channel of the video depicts the vocal percussions of a beat-boxer; the other focuses on gesture, tracing the 'freestyle' motions of dancers who merge the genres of break-dancing, krumping and whacking.

    Although the performances occurred at different times and locations, Gladwell's synchronising of the two video channels constructs a dialogue between them, as though the sound in one is catalysing the movement in the other. While this aspect of 'Broken Dance (Beatboxed)' highlights the artifice of video installation, the action unusually plays out in 'real-time'. In contrast to many of Gladwell’s earlier videos, which are slowed to distort the effects of speed and gravity, here the emphasis is on the unmediated virtuosity of the performers and the powerful unconscious effect of sound on the body.

    The contexts for the performances are also significant. The dancers execute their moves against the backdrop of graffiti covered urban spaces, invoking the notion of sub-cultural activity as a mode of resistance and reclamation within public zones where behaviour is now obsessively surveyed and over-prescribed. On the other hand, the vocalists are situated in a studio context, perhaps a signal toward how such cultures of resistance are eventually commodified and 'mainstreamed' by the relentless thrust of consumerism.

  • Places

    Where the work was made


  • Exhibition history

    Shown in 1 exhibition

  • Bibliography

    Referenced in 6 publications

    • Natasha Bullock., Shaun Gladwell: Broken Dance (Beatboxed), Shaun Gladwell: (Broken Dance Beatboxed), Sydney, 2012, (colour illus., video stilll). not paginated

    • Sarah Fenske (Editor in Chief), LA Weekly, 'Contents', pg. 7, Los Angeles, 12 Jul 2013-18 Jul 2013, 7 (colour illus., video still), 45 (colour illus., video still).

    • Elizabeth Fortescue, The Daily Telegraph, ‘Gladwell returns for a glimpse of brilliance’, pg. 24, Sydney, 20 Aug 2012, 24 (colour illus., video still). Gladwell is pictured in front of video installation.

    • Adam Fulton, The Sydney Morning Herald, 'Coming to a wall near you - video artwork is really moving', pg. 11, Sydney, 18 Aug 2012, 11.

    • Natalie Wilson and Anneke Jaspers, Foundation Newsletter #22, 'Curators' and coordinators' reports: Australian art', pg. 6-7, Sydney, Jun 2013, 7.

    • Sharne Wolff., The Art Life, ‘Broken Dance (Beatboxed)’, Australia, 31 Aug 2012, (colour illus., video still). viewed 21.09.2012, http://theartlife.com.au/?p=6851

Other works by Shaun Gladwell

See all 19 works