We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands.

Title

Coastal woodland after fire I

1980

Artist

Wesley Stacey

Australia

1941 -

No image
  • Details

    Other Title
    Fire aftermarth in coastal forest
    Date
    1980
    Media category
    Photograph
    Materials used
    type C photograph
    Dimensions
    30.7 x 45.2 cm
    Signature & date

    Signed and dated l.r. sheet, ink "Wesley Stacey '80".

    Credit
    Lady (Warwick) Fairfax Acquisition Fund 1984
    Location
    Not on display
    Accession number
    275.1984
    Copyright
    © Wesley Stacey
    Artist information
    Wesley Stacey

    Works in the collection

    24

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  • About

    Through changes in subject matter, the photography of Wesley Stacey maintains his determined interest in the immediacy of vision and new ways of observing and recording the landscape. Stacey worked originally as a graphic designer and photographer for both the ABC and the BBC, before commencing freelance photography in 1969. He photographed for POL amongst other magazines. He was instrumental with David Moore and others in setting up the Australian centre for Photography, Sydney before moving to the South Coast of NSW where he continues to live and work. He has photographed for the NSW Government on woodchipping in public forests and worked with Gubbo Ted Thomas and the Australian Institute of Aboriginal and Torres Strait Islander Studies recording heritage sites.

    Stacey's work from the 1970s embraces the sometimes blurred vision of the snapshot, including diverse sequences of photographs taken with an Instamatic camera that were often commercially processed. In later photographs of the bush, Stacey avoids the temptation to over-romanticise the landscape. Instead, his images record the environment, tall twisted trees, rocks, barren earth and the effects wrought by conditions such as fire. Rich textures and bright colours dominate the foregrounds, flattening some of the images like abstract canvases. As Gael Newton notes: ‘Any one site…can be seen to have aesthetic, historical and spiritual significance.’1 As Stacey himself says: ‘I study the subject of landscape picture making, the traditions, the visions, the heroes – and continue to have a go at making some for myself, oft wondering whence comes the drive to keep at it – and the function landscape pictures have in our culture.’2

    1. Newton, G, 1991, ‘The photographs of Wesley Stacey’, Australian National Gallery, Canberra unpaginated
    2. Wesley Stacey in Newton, G. ibid.

    © Art Gallery of New South Wales Photography Collection Handbook, 2007

  • Exhibition history

    Shown in 2 exhibitions

  • Bibliography

    Referenced in 3 publications

Other works by Wesley Stacey

See more works