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Title

recto: Imaginary scene, verso: Study of a woman and faun

recto 1869-1876
verso 1869-1873

Artist

Paul Cézanne

France

19 Jan 1839 – 22 Oct 1906

  • Details

    Dates
    recto 1869-1876
    verso 1869-1873
    Media category
    Drawing
    Materials used
    pencil
    Dimensions
    8.5 x 14.4 cm sheet
    Signature & date

    Not signed. Not dated.

    Credit
    Purchased with funds provided by Margaret Olley 2003
    Location
    Not on display
    Accession number
    269.2003
    Copyright

    Reproduction requests

    Artist information
    Paul Cézanne

    Works in the collection

    7

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  • About

    Despite Cézanne's alignment with the naturalistic tendency in contemporary art (he exhibited in the first Impressionist exhibition in 1874) he continued to produce, in a small way, imaginary or fantasy compositions in the strange, clumsy style of his so-called 'couillarde' (or ballsy) period. The dating of this drawing on stylistic grounds alone must therefore remain uncertain.

    The extremely free, rhythmic, scrawly qualities of the drawing, where the sheet is treated as a totality, corresponds to Cézanne's intense admiration of Delacroix, both as a painter and as a draughtsman. People in modern dress in an outdoor setting had become, since Manet's 'Le déjeuner sur l'herbe' 1863, a favourite theme of the Impressionists. However, the latter always worked from life models in real settings and not from the imagination. In Cézanne's case the artificial qualities of his outdoor gatherings relates back to a grand tradition in French and Italian art.

    Around 1876 this genre in Cézanne's work was on the verge of mutating into the first of his great series of bathers compositions. This sheet is of particular interest because it can be directly related to the painting in the Metropolitan Museum NY, 'The fishermen - a day in July' circa 1875. Our drawing could be either a preliminary study or a revision made after the painted composition. It is a brilliant example of Cézanne's exuberant, youthful style with its conscious investigation of baroque composition.

    The verso bears a slight sketch of a reclining woman and a faun, together with unrelated numerical inscriptions in the artist's hand.

  • Exhibition history

    Shown in 5 exhibitions

  • Bibliography

    Referenced in 11 publications

Other works by Paul Cézanne

See all 7 works